Showing posts with label Robert Burns. Show all posts
Showing posts with label Robert Burns. Show all posts

Saturday, June 29, 2024

‘Masonic Ph.D. program in Scotland’

    
Magpie file photo
Robert Burns in bronze in Central Park.

A Ph.D. program at the University of Glasgow is of interest to Freemasons. Just my rotten luck, as I’m about to commence studies in trainspotting, but maybe this is right for you. From the publicity:


The Scottish Masonic Scholarship

A Ph.D. scholarship on the topic of Robert Burns and Freemasonry, funded by Scottish Freemasons, is offered at the University of Glasgow. Full-time fees and stipend are included for a period of three years.

The successful candidate will have access to Masonic archives and collections in Edinburgh and elsewhere, and also will undertake some travel for research purposes to other places. The Ph.D. scholar will be expected to work on outreach activity, including contributing to the curation of an exhibition and delivering presentations on “Burns & Masonry.”


The scholar will be supervised and have access to resources from within the world-class Centre for Robert Burns Studies (recipient of the prestigious Queen’s Anniversary Prize in 2023). 

Candidates need to apply by July 31 with a cover letter, full curriculum vitae, and two academic references to Professor Gerry Carruthers here.

Selection will follow an interview and a pro forma application to the Graduate School of the College of Arts and Humanities at Glasgow. Informal enquiries to Prof. Carruthers are welcome in the first instance.


Thanks, Brent!
     

Friday, December 31, 2021

‘And give us a hand o’ thine’

    

Finally, this year is done, but not before a teamwork of media and academia boasts of an achievement in historical research that you and I have known all along.

Today’s Evening Standard and a growing number of other outlets report how a Scottish scholar, who specializes in anthropological and sociological facets of music, has “discovered” that the tradition of locking arms while singing Bro. Robert Burns’ “Auld Lang Syne” began with…the Freemasons!

Hmmm, you don’t say.

Read all about it here.


That’s it for me, brotherans. Signing off for 2021, and wishing all of you a Happy New Year that won’t suck nearly as much as did this annus horribilis.


     

Monday, January 25, 2021

‘Shall brothers be for a’ that’

      

Robert Burns, Scotland’s most beloved historic Freemason, was born on this date in 1759. Among his most famous works is “A Man’s A Man for A’ That,” wherein he speaks of virtues in terms every Mason can understand, despite the Scots Gaelic tongue. It is dated 1795, the year before his death at age 37.


A Man’s A Man For A’ That
by Robert Burns

Is there for honest poverty
That hangs his head, an’ a’ that
The coward slave, we pass him by
We dare be poor for a’ that
For a’ that, an’ a’ that
The rank is but the guinea’s stamp
The man’s the gowd for a’ that

What though on hamely fare we dine
Wear hoddin grey, an’ a’ that
Gie fools their silks, and knaves their wine
A man’s a man, for a’ that
For a’ that, an’ a’ that
Their tinsel show an’ a’ that
The honest man, though e’er sae poor
Is king o’ men for a’ that

Ye see yon birkie ca’d a lord
Wha struts an’ stares an’ a’ that
Tho’ hundreds worship at his word
He’s but a coof for a’ that
For a’ that, an’ a’ that
The man o’ independent mind
He looks an’ laughs at a’ that

A prince can mak’ a belted knight
A marquise, duke, an’ a’ that
But an honest man’s aboon his might
Gude faith, he maunna fa’ that
For a’ that an’ a’ that
Their dignities an’ a’ that
The pith o’ sense an’ pride o’ worth
Are higher rank that a’ that

Then let us pray that come it may (as come it will for a’ that)
That Sense and Worth, o’er a’ the earth
Shall bear the gree an’ a’ that
For a’ that an’ a’ that
It’s coming yet for a’ that
That man to man, the world o’er
Shall brithers be for a’ that



     

Sunday, October 1, 2017

‘May secrecy round be the mystical bound’

     
Magpie file photo
John Steell's gigantic bronze of Robert Burns is found in Central Park's Literary Walk. It was dedicated October 3, 1880.

It seems like only yesterday but, on this date in 1781, Robert Burns was passed and raised in Lodge St. David in Tarbolton, Scotland. (Hat tip to Missouri Lodge of Research.)

Be on the lookout for Burns Suppers in January. Aurora Grata 647 announced theirs today, but that isn’t the only one by any means. These are held on or around Burns’ birthday on January 25.

One of his Masonic pieces:


Masonic Song (1786)

Ye sons of old Killie, assembled by Willie,
To follow the noble vocation;
Your thrifty old mother has scarce such another
To sit in that honoured station.
I’ve little to say, but only to pray,
As praying’s the ton of your fashion;
A prayer from thee Muse you well may excuse
’Tis seldom her favourite passion.
Ye powers who preside o’er the wind, and the tide,
Who marked each element’s border;
Who formed this frame with beneficent aim,
Whose sovereign statute is order:
Within this dear mansion, may wayward Contention
Or withered Envy ne’er enter;
May secrecy round be the mystical bound,
And brotherly Love be the centre!
     

Tuesday, October 25, 2016

‘Light! Camera! Aprons!’

     
What a great night at Masonic Hall underway now! As this edition of The Magpie Mason goes to press, a film crew from Pinstripe Productions Ltd. from Glasgow is filming inside the Livingston Library for an upcoming BBC Scotland documentary on Robert Burns and the importance of Freemasonry to his life and work, but just a little more than an hour ago they were filming a group of us making believe we were in lodge assembled for a philosophical discussion.


Forget Hollywood glitz, this is Glasgow glamour!

The production company contacted Grand Lodge a week ago to express its desire to include New York Masons in this documentary to illustrate how Burns’ poetry is beloved in America. None other than RW Bro. Piers Vaughan—a U.S. citizen with a Brighton accent—was put in command of organizing this thing. (He has experience managing CBS News in Masonic Hall.) So, after securing the permission of the Grand Master, of the Masonic Hall Trustees, and, most importantly, of the building management staff, he was able to corral everybody inside the Empire Room on 12, while securing the altar cloth (but no Washington Bible) and regalia of venerable St. John’s Lodge No. 1 so we’d all look good. We’re told this will be broadcast in the United Kingdom next Burns Night.

As I mentioned, the crew is now in the Chancellor Robert R. Livingston Masonic Library interviewing Librarian Morgan Aronson and Curator Catherine Walter on the library’s various Rabbie Burns artifacts and books, but for our segment, we were seated in the Empire Room for a talk on the Masonic symbolism of the Number 3.


Piers, standing, addresses the East, with RW Jim,
RW Earnest, and Bro. Parker listening.

It was great fun. Nothing was scripted, and I think about 20 of us took turns to be upstanding for the Worshipful Master, holding the Sign of Fidelity, and expounding on the various meanings the Number 3 has to the Masonic Order.


Our impromptu Junior Warden.
I didn’t take a lot of notes because we were supposed to look natural, but the discussion ranged from religious trios (Father, Son, Holy Spirit; Osiris, Isis, Horus) to Masonic ritual (three degrees, three ancient grand masters, three to open a lodge, “three distinct knocks,” three raps of the gavel, etc., etc.) to Craft symbolism (three stages of life, the Trivium, three symbolic supports, Theological Virtues, etc., etc.) and a lot more, even from outside the fraternity, such as the three equal branches of American governance. None of this has anything directly to do with Robert Burns, Freemasonry’s Poet Laureate, but the point was to display to the television audience how a Masonic lodge functions. The more than half-hour discussion probably will be distilled to a half-minute clip in the final production, I’d guess.

Later someone noted there were 33 of us in the meeting!

At some point during the exhibition, The Magpie Mason rose, stood on the Sign of Fidelity, and suggested:

Worshipful Master, in Freemasonry we see the Freemason himself embodying the Number 3. By symbolically being the Rough Ashlar in need of moral improvement; and by being the builder himself who endeavors that work; and finally by becoming the Perfect Ashlar at the end of life’s labors, it is Masonic Man who is the Number 3.

(When it looked as though things were winding down, I also offered: “This is off topic, but when we get to the Festive Board, we will charge our cannons and fire three times,” hoping for more of a laugh than I got!)


WHY IN THE EAST?—Wearing a kilt tonight got
you plum seating for the shoot!

So, those of you in the U.K. should expect to see us, however briefly, on January 25, 2017—Burns Night. Maybe the program will make it to American viewers on one of the BBC cable channels eventually.

God, I love New York Freemasonry.
     

Wednesday, January 25, 2012

'Burns Night'

     
Robert Burns upon composing a poem to his love, Mary.

It is the 253rd birthday of Robert Burns, Poet Laureate of Canongate Kilwinning Lodge. Hope you had a great time at your Burns Suppers!

He is depicted here, sitting on a tree stump, along Literary Walk on the east side of Central Park. The massive bronze was created by Sir John Steell in 1880, and it was a gift to the city from New Yorkers proud of their Scottish heritage. (As you can tell from the leaves on the trees, this is not a recent photo. I shot this last August.)

Did you know the House of the Temple is home to the second largest collection of Burns literature in the world? I shot this photo three years ago. It shows only about a quarter of the entire collection.

Part of the Robert Burns collection at the House of the Temple
in Washington, DC.

According to Supreme Council:

During his lifetime, Bro. William R. Smith, 32°, former Director of the National Botanical Gardens in Washington, D.C., assembled one of the most complete collections of published works by and about Scottish poet Robert Burns. Recognized as one of the finest of all Burns collections, second only to the Burns Collection in Glasgow, Scotland, it was cataloged by Mr. William Thomson of the Public Library of Edinburgh, Scotland. The industrialist Andrew Carnegie, trustee of Mr. Smith’s estate, decided that because Robert Burns had been an ardent Freemason, it would be appropriate to place the Burns collection in the library of the Supreme Council, with the condition that it be housed in a special room available to the public and community of scholars.



One of my favorite grocers in Manhattan is Myers of Keswick on Hudson Street. I discovered this during my university days, thanks to an article in one of our literary publications, and I've been hooked since. Anyway, if you ever need a reliable source of genuine haggis, this is your place.