‘The wait for Waite is over’

    

Yesterday afternoon, Weiser Antiquarian Books released its anticipated latest catalogue—no, not another Crowley collection—comprised largely of titles from the study of one Arthur Edward Waite. There are 101 books in this batch, and more than half are written or edited by our Masonic Brother.

Weiser Antiquarian Books

And there are a few about Waite, such as the elusive 1932 “Check List” of his writings, published privately (and this copy is signed) by H.V.B. Voorhis, a Past Master of The American Lodge of Research, and a friend of Waite.

A number of the books have been sold already, including—drat!—one first edition (1924) of The Brotherhood of the Rosy Cross, a hardcover in VG+ condition. But there are many more from Waite on subjects including Alchemy, Éliphas Lévi, Hermeticism, Holy Graal, Kabbalah, Magic, Paracelsus, Tarot, Thomas Vaughan, and more. Not Freemasonry though.

Other authors featured in Catalogue 287 include Johann Georg Faust, Manly P. Hall, MacGregor Mathers, Israel Regardie, and more.

(Hey, with Hanukkah just two months away, if someone were to make me the gift of this two-volume set, I’d be one happy and grateful reader!)

     

‘Taschen to release Waite-Colman Smith tarot collection’

    

Taschen has done it again. This time the publisher of lavish books and other sumptuous treats is poised to release its take on the A.E. Waite/Pamela Colman Smith tarot deck. You know, the one we all get started with, although it is more than enough for a lifetime of contemplation. Coming soon, and open for pre-ordering now, is a box of book and deck. From the publicity:

Doors into Our Uncharted Depths

The Story of the World’s

Most Popular Tarot

A unique edition of bright texts, brilliant images, and historic reprints, this kit provides everything that both beginners and advanced Tarot users might need and want to read cards for themselves and to study and experience this cultural gem in all its beauty and significance. The valuable collector’s box includes a complete deck of the Waite Smith Tarot cards and Waite’s famous companion book The Key to the Tarot. In this illustrated book, with texts and images compiled by Johannes Fiebig, the Tarot cards become psychological mirrors and signposts leading toward new answers and personal solutions. The fact that this works well can be attributed to certain advantages inherent to the Waite-Smith cards, and these points are illuminated in an essay by Rachel Pollack.

All 78 cards are presented individually and in detail. The explanatory texts provide several dimensions and levels of interpretation, including concrete practical tips. Further, the book offers a new feature: the quick check. This presents a concise hint regarding the meaning of each card in each possible position of all the spread patterns featured in the book.

When Arthur E. Waite and Pamela Colman Smith developed their Tarot deck in London in 1909, nobody could have predicted that it would have an overwhelming renaissance starting around 60 years later. What were the lives, works, and passions of these creators like? Pamela Colman Smith and Arthur E. Waite are brought vividly back to life in essays by Mary K. Greer and Robert A. Gilbert.

The authors

Johannes Fiebig is one of the most successful authors in the field of Tarot and a leading expert in the psychological interpretation of symbols. He published his first book in 1984. Since then, his books have sold more than 2 million copies, translated into more than a dozen languages. In 1989, he co-founded and co-owned Königsfurt publishing house, which later became the publishing houses Königsfurt-Urania and AGM-Urania, of which he was managing director until 2018. Since then, he has been an independent writer based in Kiel.

Mary K. Greer is one of the world’s leading Tarot scholars and experts, famous by her outstanding, both exciting and useful Tarot blog. She is an author, teacher, and professional tarot consultant known for her innovative teaching techniques. With an M.A. in English Literature, she taught Tarot in colleges for fifteen years. Since the 1980s and her book Tarot for Your Self (1984), Mary belongs to the pioneers of the tarot as self-experience and as a tool of personal transformation and empowerment. She is a co-author of Pamela Colman Smith: The Untold Story (2018). She lives in California.

Rachel Pollack is the author of 46 books, including two award-winning novels, a book of poetry, a translation, with scholar David Vine, of Oedipus Rex (2012), and a series of books about Tarot known around the world. Her first book, Seventy-Eight Degrees Of Wisdom, was published in 1980 and has been in print ever since. Her work has been translated into 15 languages, and she has taught and lectured on four continents. She also is a visible artist, creator of The Shining Tribe Tarot, and has collaborated with artist Robert M. Place to create the Raziel Tarot, and the Burning Serpent Oracle. She lived in Rhinebeck, New York for many years, where she died in 2023.

R. A. Gilbert is a retired antiquarian bookseller and a prolific author and editor in the field of Western Esotericism, specializing in the life and work of A. E. Waite and in the history and lives of members of the Hermetic Order of the Golden Dawn. His books include A.E. Waite: Magician of Many Parts (1987); The Golden Dawn Scrapbook (1997); Gnosticism and Gnosis (2012). Gilbert read Philosophy and Psychology at the University of Bristol, and received his doctorate from the University of London for a thesis on the publication of esoteric literature in the Victorian era. He lives a Somerset Village, England.

Click here to explore the pre-order process. Treat yourself or someone else important to something extraordinary for the holidays.

     

‘A few words on the EA°’

    

We have a Ritual of Initiation upcoming at lodge in November, and our monthly magazine, The Herald, includes a few pages of educational reading focusing on a certain aspect of the EA° excerpted from Symbolical Masonry: An Interpretation of the Three Degrees by H.L. Haywood. (He was a member of our lodge a century ago, oddly enough.) Also in mind is Grand Lodge’s appeal on behalf of the Grand Lodge of Israel. Here are the relevant paragraphs:

Before a man can be persuaded to learn an art, he must realize his ignorance thereof; before he can be made to enter into a new life, he must be made to feel that he is in a natural state of ignorance in regard to that life. There is a certain method by which the candidate is prepared in our ceremonies that is designed to cause the Apprentice to know that, whatever may be his title and possessions in the world, he is poor, and naked, and blind as regards that new life which is Masonry. There is in this method no desire to humiliate him, as that word is understood, but there is every need that he experience humility, a very different thing.

Humiliation may come from disgrace, or some check of adverse fortune; humility is that lowliness of mind in which one becomes aware of his real position in the universe. To know one’s self is to be humble, for in the presence of the infinities of the universe an individual, be he the greatest of the great, is pitiably small and weak; “what is man that thou art mindful of him” is his cry, and he will be the last to strut with pride. A mere sense of humor alone would preserve a man against vanity, did he not also know that he is a frail creature, compounded of dirt and deity, hemmed in by ignorance, and weak every way. When a man compares himself with his fellows he may find cause for pride, but when he stands in the midst of that lodge which is itself a symbol of the cosmos, surrounded by emblems and images on which rests a weight of time more than that which lies upon the pyramids, where the All-Seeing Eye, symbol of omniscience, looks down upon all, he can but feel how frail, how unspeakably helpless and frail, he is. The worldling may eke out a modicum of pride in considering how much wealthier he may be, or more learned than another, but the Mason, acknowledging a law that demands he be perfect as the Father in Heaven is perfect, will be more inclined to cry “Depart from me, for I am a sinful man, O Lord.”

Black Cat Caboodle

“Among the ancients,” writes Pierson, “the ceremony of discalceation, or the pulling off a shoe, indicated reverence for the presence of God.” The Pythagorean rule, that an initiate must “sacrifice and worship unshod” applied throughout the religious customs of antiquity. The priest removed “his shoes from off his feet” before entering the place of worship even as does the Muslim of today. Of this Mackey gives an interpretation as simple as it is wise! “The shoes, or sandals, were worn on ordinary occasions as a protection from the defilement of the ground. To continue to wear them, then, in a consecrated place, would be a tacit insinuation that the ground was equally polluted and capable of producing defilement. But, as the very character of a holy and consecrated spot precludes the idea of any sort of defilement or impurity, the acknowledgment that such was the case was conveyed symbolically by divesting the feet of all that protection from pollution and uncleanness which would be necessary in unconsecrated places. The Rite of Discalceation is, therefore, a symbol of reverence. It signifies, in the language of symbolism, that the spot which is about to be approached in this humble and reverent manner is consecrated to some holy purpose.

In the beginnings of the moral life of man, a place was made holy by being set apart, as the word literally means. The Sabbath was kept separate from other days; the Temple from other buildings; and the altar from all other spots of earth. This was a necessary teaching to cause men to recognize the mere existence of sacredness. But the floor of a Masonic lodge room is not made sacred in order to render other places defiled by contrast; rather is it to convince us that as the lodge is a holy place, so also should the whole world be, of which the lodge is a symbol. When men walk the common ways of life with bare feet, when they undertake every daily task with clean hands, when they seek out their fellowships with a pure heart, then will all life shine with the sanctity God intended, and the Universe be in fact, as well as theory, the Temple of Deity. In the days before our era when astrology and alchemy were seriously received by great minds, the planets were believed to rule variously over the fates of life, and each planet was supposed to be in some wise linked up with a corresponding metal. Lead was Saturn’s metal, iron belonged to Mars, copper to Venus, gold to the sun, etc. To keep one of these metals in one’s possession was to invite the influence of the planet to which it was sacred. Consequently, as a Candidate came to the Mysteries, he was divested of metals lest he bring some unwelcome planetary influence into the sanctuary.

If we find a far-off echo of this custom in our own ceremonies, we may understand that the lodge would thus symbolically exclude every jarring element from its fellowship. We may further understand it in another sense, as meaning that the possessions which secure us the services of the world have no potency in the lodge.

Of this, as we may read in his booklet on “Deeper Aspects of Masonic Symbolism,” A.E. Waite has written with characteristic insight. His words have a finality of wisdom that may fitly conclude a study of destitution:

“The question of certain things of a metallic kind, the absence of which plays an important part, is a little difficult from any point of view, though several explanations have been given. The better way toward their understanding is to put aside what is conventional and arbitrary—as, for example, the poverty of spirit and the denuded state of those who have not yet been enriched by the secret knowledge of the Royal and Holy Art. It goes deeper than this and represents the ordinary status of the world, when separated from any higher motive—the world-spirit, the extrinsic titles of recognition, the material standards. The Candidate is now to learn that there is another standard of values, and when he comes again into possession of the old tokens, he is to realise that their most important use is in the cause of others. You know under what striking circumstances this point is brought home to him.”

     

‘Pamela Colman Smith at the Whitney'

    

A.E. Waite

Born on this date in 1857 in Brooklyn: Arthur Edward Waite, initiated into Freemasonry September 19, 1901 in Runymede Lodge 2430 in Buckinghamshire, England (Worshipful Master in 1910).

His is a vexing biography. Click here for R.A. Gilbert’s paper from the 1986 Ars Quatuor Coronatorum and read of Waite’s—what I’ll call—duality of nature. He is remembered for books on Freemasonry, Rosicrucianism, and Golden Dawn, but it seems some personality foibles leached into his mystical life. We’re all human. I have no problem with him, except that his A New Encyclopædia of Freemasonry is so disorganized as to prove the mystics ought to keep out of the reference and history book business.

It is beyond the confines of Freemasonry, Rosicrucianism, and Golden Dawn where Waite’s name is best known, as he was the designer of the most ubiquitous tarot cards: the Rider-Waite deck. Rider was the publishing company that printed the cards. Waite provided the concepts for the illustrations. And the third wheel was the artist who brought those ideas to life: Pamela Colman Smith. Thus we reach the point of this edition of The Magpie Mason.

Pamela Colman Smith (1878-1951) was an English mystic and artist known to Waite through the Golden Dawn, and she was chosen to create the seventy-eight images of this new tarot deck. Following Waite’s specifications, we understand how some of these cards display Masonic hints. Anyway, the Whitney Museum of American Art currently exhibits “At the Dawn of a New Age: Early Twentieth Century American Modernism,” which includes Smith and the tarot cards. The show will close February 26, 2023. From the publicity:

“At the Dawn of a New Age: Early Twentieth Century American Modernism” showcases art produced between 1900 and 1930 by well known American modernists and their now largely forgotten, but equally groundbreaking peers. Drawn primarily from the Whitney’s permanent collection, it provides new perspectives on the myriad ways American artists used nonrepresentational styles developed in Europe to express their subjective responses to the realities of the modern age.

America’s early modernists came of age during a time when the country’s predominant mood was one of youthful confidence. Racial violence and social and economic injustices existed, but so too did insurgency and social reform. American technological and engineering ingenuity had made the country the world’s largest industrial power at the same time that political Progressivism and cultural shifts, such as women’s suffrage, had upended bourgeois codes of respectability. The combination gave rise to an excitement about an era that critic Walter Lippmann characterized as “bursting with new ideas, new plans, and new hopes.”

Against this backdrop, large numbers of American artists embraced the new over the traditional and fixed by rejecting realistic depictions of the world in favor of art that prioritized emotional experience and harmonious design. The results were largely ignored by the Whitney Museum, whose loyalty was to the urban realists who formed the core of the Whitney Studio Club, out of which the museum had grown. A handful of non-representational works were acquired when the museum was founded in 1930 and more were added in subsequent decades, but it was not until the mid-1970s that the museum vigorously began to acquire vanguard art made between 1900 and 1930. While extensive, these acquisitions largely excluded work by women and artists of color. The Whitney had already begun rectifying these biases, but in anticipation of the opening of “At the Dawn,” it added more works by these artists to the collection. The result is an exhibition that recasts the story of American art by celebrating the mood of optimistic excitement with which American artists embraced modern styles and illuminates the complexity and diversity that are at the heart of the American experience.

In 1909, Pamela Colman Smith was commissioned to design a set of seventy-eight tarot cards by A.E. Waite, the leader of the Independent and Rectified Rite of the Golden Dawn, a secret, mystical society to which Smith belonged. Known as the Rider-Waite-Smith tarot deck, it was the first to feature fully illustrated, symbolic images on each card, and integrated Judeo-Christian ideas into a visual vocabulary that often drew heavily on occult magic. Stylistically, the designs in the deck reflect the era’s widespread embrace of the sinuous, organic lines of Art Nouveau and the flowing patterns of Japanese prints. Smith used the style in her tarot cards and in watercolors, such as The Wave to suggest the existence of a mystical occult world beyond the visible one.

Click here for a quick video.

Seeing how Smith was English, I’m not sure how she fits into an exhibition of American artists, but that’s okay. In closing, let me offer the stock disclaimer on how tarot cards are for reflection, circumspection, contemplation, etc., and never for divination.

     

‘Rosicrucian book sale and other news’

     
Michael Poll of Cornerstone Publishers offers the following tremendous sale on three essential Rosicrucian titles. From the publicity:

Rosicrucian Bundle

Originally $62.40

On Sale for $37.44

The Brotherhood of the Rosy Cross, by A. E. Waite
(6×9, softcover, 652 pages)

Photographic reproduction of A. E. Waite’s classic 1924 work on the Rosicrucian Order. Waite presents his view of the development and history of the Rosicrucians from the very early days in the Middle Ages and takes them through their various incarnations. A fascinating and detailed work. Many consider this the finest book on the Rosicrucians available.

The Masters and The Path, by C.W. Leadbeater with foreword by Annie Besant
(6×9, softcover, 252 pages)

C.W. Leadbeater offers an enlightened study of the Path of Discipleship under the Guidance of the Ascended Masters. While existing in our troubled world, we can see in this work the place of initiation and its role in both our spiritual and physical selves. Beautifully written in a manner to both guide and instruct, this classic book is of timeless value to all students of Initiation and Guided Wisdom.

The Secret Doctrine of the Rosicrucians, by Magus Incognito
(6×9, softcover 156 pages)

This book provides a classic understanding of the teachings of the Rosicrucians as well as general Rosicrucian thought. Written by William Walker Atkinson, using the pseudonym “Magus Incognito,” this reprint of the 1918 edition is a valuable addition to any Rosicrucian student or those interested in their teachings. Includes: “The Soul of the World,” “The Planes of Consciousness,” “The Seven Cosmic Principles,” “The Aura and Auric Colors,” and much more.


If we do not buy books, there will not be books to buy, so take advantage of this generous sale price, and spread the word, and continue celebrating the Rosicrucian quadricentenary.

And speaking of esoteric books, in other news, the Esoteric Book Conference has digitized lectures from its recent annual events. Hear directly from Brian Cotnoir, Trevor McKeown, Paul Hardacre, Pam Grossman, and many more. Click here.

And there’s a new EBC lapel pin:

Not actual size.

     

‘Sons and brothers’

Alpha Lodge Worshipful Master David Lindez, right, discusses Johannite influences on Freemasonry as W. Bro. Yoel Lee, Master of Sons of Liberty Lodge No. 301, listens. The two lodges met together last Wednesday at Alpha.

It was a joint communication of two of New Jersey’s last urban lodges last Wednesday night in East Orange, when dozens of brethren of Sons of Liberty Lodge No. 301 visited Alpha Lodge No. 116. And it was a full house. The Tiler had to break out the Royal Arch aprons just to make sure everyone was able to enter the lodge!

WM Lindez almost always begins Alpha’s communications by thanking the brethren for taking time away from their families and vocations to be there, promising them intellectual and spiritual value in return for their precious time. This evening, the brethren were presented a stimulating talk on Johannite symbolism in Freemasonry. You know that lodges are dedicated to the Holy Saints John, and that the Feast Days of St. John the Baptist (June 24) and St. John the Evangelist (December 27) were adopted for special occasions by the fraternity, but there isn’t a definitive reason why these are so.

For background, the Master told us about the Johannite tradition, a Gnostic movement that reveres St. John the Baptist and St. John the Evangelist. One such group, called the Mandaeans, is known here as a “distant cousin” of the three major Abrahamic faiths. Followers speak Aramaic, the language spoken in the Holy Land in the time of Christ, and consider Adam their prophet while also revering John the Baptist. Indigenous to the Near East, the Mandaeans mostly have been displaced by the war in Iraq. Tens of thousands of the faithful have been relocated, many brought to the United States.

Elements of Johannite Gnosticism found in Freemasonry include the alchemical aspects of Scottish Rite rituals, as in the EA° we see at Garibaldi Lodge, and Kabbalah symbols employed in Scottish Masonry.

“In the far past of Christianity there were Johannite sects, but their residue at this day communicates little or nothing to seekers after spiritual life,” writes A.E. Waite in his “A New Encyclopaedia of Freemasonry.” “We have only to note therefore in the present connection the persistence with which Blue Masonry is dedicated to the Baptist and Evangelist in Scotland: It remains under their aegis to this day, as a sacred commemoration of that time when Operative Masonry lived and moved and had its being in the light of Christ. Of dedications to Moses and Solomon, Masonic Scotland knows as little as of the drift and scattermeal of liberal theology, or of a theistic Duke of Sussex. In addition to the two Saints John, Scotland maintains from year to year with solemn observance the sacred Festival of St. Thomas, especially in the Sanctuary of Mother Kilwinning.”

Coming up at historic Alpha Lodge on May 27 is the presentation of speculative papers by newly raised Master Masons:

“Archetypical Influences and the Molecular Impact of Sacred/Secret Words in Masonry” by Bro. Mardoche Sidor;

“The Pillars of Masonry” by Bro. Michael Terry; and

“Reactions to Music in Freemasonry” by Bro. Nathaniel Gibson.

2009 at Alpha Lodge

Lord Cannock and David Lindez last December at Alpha.

2009 events at historic Alpha Lodge No. 116

56 Melmore Gardens in East Orange. Easily reached by Route 280, the Parkway, etc.


Wed. Jan. 14 - Junior Warden Robert Morton on “From Whence We Come.”

Wed. Feb. 25 - Special Multimedia Presentation on Haitian Freemasonry, with a catered Haitian Agape. $10 at the door. 7:30 p.m.

Wed. March 25 - World famous Masonic author and lecturer Dr. Tim Wallace-Murphy to speak on “The Enigma of Rosslyn Chapel.”

Wed. April 8 - Visit by Oliver Kruse, Orator of the Swedish Rite in Germany, to give a paper “An Introduction to the Swedish Rite.”

Wed. April 22 - Presentation by the Worshipful Master on the Johannite traditions in Freemasonry.

Wed. May 27 - Academic presentation of Masonic research papers by brethren of Alpha Lodge:

“Archetypical Influences and the Molecular Impact of Sacred/Secret Words in Masonry” by Dr. Mardoche Sidor;

“The Pillars of Masonry” by Michael Terry; and

“Reactions to Music in Freemasonry” by Nathaniel Gibson.

Wed. June 24 - Summer Solstice Agape Observation of St. John's Day (talk to be given by the Worshipful Master on “Planetary, Lunar and Solar Influences in Masonic Movement, Stations and Places.”

Wed. Sept. 9 - RW Rashied Sharrieff-Al-Bey of Cornerstone Lodge No. 37, MWPHGLNY, will speak on the “Hidden Work of our Gentle Craft.”

Wed. Oct. 14 - Presentation on “Willermozism” by VW Piers A. Vaughan, world renowned expert on the RER.

Wed. Oct. 28 - Dr. R.A. Gilbert speaking on Br. A.E. Waite’s mystical approach to Freemasonry.

Wed. Nov. 11 - Visit by MW Thomas R. Hughes, Grand Master of the MW Prince Hall Grand Lodge of New Jersey, to speak on Freemasonry’s historic importance in the black community.