Beethoven, by Andy Warhol, 1987. |
Livingston Library Executive Director Tom Savini is quoted only briefly, but the report explains that the manuscript may have seen the light of day already, just more than a century ago, when Masonic archives were being transferred from the previous Masonic Hall to the current building, and may even have been seen by Gustav Mahler, then the conductor of the New York Philharmonic, who was known for rearranging certain Beethoven works.
It never has been established if the great composer was a Brother in the Craft, although the themes of some of his best known works show Masonic thinking, and some of his collaborators, like Schiller, who wrote the Ode to Joy libretto for Symphony No. 9, were Freemasons.
The 5:35 audio of this Sunday, April 1 story can be heard here.