‘Bro. Norton and Masonry’s universality’

    

Click here to register.

Late afternoon on a Thursday might not be the most attractive timing for an online presentation, but our speaker is domiciled in Budapest where it’ll be 10 p.m. If he can do it, you can too.

Peter Lanchidi is an art historian who has found his way into the study of Masonic history via, as I understand it, a Judaic prism, writing in the academic world about Kabbalistic art and, maybe unusually, the challenge of practicing religious tolerance in the fraternity.

I’m told the story of Jacob Norton, a Massachusetts Mason in the nineteenth century, is well known about the apartments of the Temple in the Bay State, so the rest of us can profit from this upcoming discussion. From the publicity:

Jews, Freemasons,

and a Nineteenth Century

Debate on Universality

Thursday, March 14

4 p.m. Eastern

Presented by Dr. Peter Lanchidi

There is a notable history of American Jewish engagement with the Freemasons. In this talk, Dr. Peter Lanchidi will shed light on the meaning and relevance of Freemasonry for American Jewry, and share the story of Jacob Norton, a Jewish Mason in Boston, and a debate he found himself at the center of when he presented a petition to the Grand Lodge of Massachusetts in 1851 concerning the role of religion within the Masonic brotherhood. Dr. Lanchidi will address the skirmish that followed, pitting universalist Jewish (and non-Jewish) brethren against conservative Christian Masons, as well as the broader context regarding the appeal of Freemasonry for American Jews.

Click here to register.

Peter Lanchidi is a tenured Assistant Professor in the Institute of Art History at Eötvös Loránd University in Budapest. As an Azrieli Fellow, he earned his Ph.D. in the Department of Jewish Thought at Ben-Gurion University in Beersheva. With background in art history and aesthetics (BA) from Budapest and Jewish studies (MA) from Stockholm and Heidelberg, his research focuses on the interface between Freemasonry and Kabbalah in visual material in the nineteenth century and its historical and cultural contexts.  

     

‘Freemasonry, art, and Kabbalah’

    

Detail of Aperçu de l’Origine du Culte Hébraïque by David Rosenberg, 1841.

Embassy of the Free Mind, the Amsterdam-based locus of things spiritual, cultural, scientific, et al., will host a lecture of particular interest in December. From the publicity:

Freemasonry and Kabbalah:

Cultural Exchange in Esoteric Art

by Peter Lanchidi

Thursday, December 7

1:30 p.m. Eastern

The lecture will explore the interface between Freemasonry and Kabbalah, an important yet largely unexplored area of research both within the narrower fields of the academic study of Freemasonry and Kabbalah and the wider area of Western esotericism. The subject will be presented through the Masonic-Kabbalistic lithographs of David Rosenberg, a Freemason and rabbi who was member of Lodge of Aristocrats in the Paris of the July Monarchy (1830-48).

The splendid pieces of art of the rabbi are richly populated with Masonic, Jewish and Kabbalistic symbols and text, and were popular among both French and English Masons. Rosenberg’s life journey through several countries, the long reception history of his works, and the complex nature of the topic necessitated a truly interdisciplinary approach and extensive archival research that used primary sources from close to 100 archives, collections, libraries and museums in 18 countries on four continents.

Through the artworks of the rabbi the audience will learn how Kabbalah was perceived and used within Freemasonry and they will see how the Jewish visual heritage of Eastern Europe and Kabbalah were amalgamated into Western Masonic science and art. On a broader perspective, the lecture will shed light on the workings of cultural exchange and cross-fertilization within the esoteric landscape of nineteenth-century Europe.

ELTE photo

Peter Lanchidi

Peter Lanchidi is a tenured senior lecturer in the Institute of Art History at Eötvös Loránd University in Budapest. As an Azrieli Fellow, he earned his Ph.D. in the Department of Jewish Thought at Ben-Gurion University. His doctoral dissertation on the Masonic-Kabbalistic art of David Rosenberg, a Freemason and rabbi, won the Thesis Prize of the European Society for the Study of Western Esotericism. With a background in art history and aesthetics (BA) from Budapest and in Jewish studies (MA) from Stockholm and Heidelberg, his research focuses on the interface between Freemasonry and Kabbalah in visual material in the nineteenth century and its historical and cultural contexts.

There is more to read here, if you understand Dutch. Click here for tickets (US$13.21 for Zoom).

Click here to read a paper by Lanchidi.

     

‘You snooze, you lose’

    

“You snooze, you lose,” as we say in the Select Master Degree (and its variants), and I definitely feel self-defeated thanks to procrastination, disorganization, and some legit busyness. That which was lost to me, although I probably will get to it eventually, is a paper I have been intending, for more than a year, to write for my research lodges on a revealing story of nineteenth century U.S. Masonic history.

I’m hardly the first to have the idea. Jacob Norton (1814-97) is well known about the apartments of the Temple in Massachusetts. A Jewish man who was made a Mason in England, he emigrated to the United States seeking a better life, like so many. He continued his Masonic labors in a Massachusetts lodge, but his experience in the United Grand Lodge of England did not brace him for the sectarian Christian content of Craft rituals in 1850s Massachusetts.

Norton and several other Jewish Masons wrote the grand master to ask if reforms might be possible to achieve “universal fellowship,” in effect bringing their rituals into accord with English dechristianized rituals. The grand master advised the group to leave Freemasonry.

There are many colorful details about Norton that I believe would make his story far more vital than just some reproachful review of the way things were long ago in the Puritan Commonwealth. For instance, his Masonic penpals included Albert Pike and the founders of Quatuor Coronati 2076.

My paper would have concluded (and, again, still might) with the facts of a successor grand master who made a point of ensuring the Craft of his time was a brotherhood of man under the fatherhood of God, thus making the two leaders’ words bookends that shape Norton’s life story within and without Freemasonry.

Anyway, I kind of feel as though I lost out because of a new paper. Israeli scholar Peter Lanchidi has published “Jacob Norton and the Quest for Universal Freemasonry: Jewish Masonic Consciousness in a Christian Fraternity” (Johns Hopkins University Press). You might recognize his name from the Freemasonry on the Frontier collection.

Of course there was no competition; he’s a bona fide historian, and I’m a boneheaded hobbyist, but learning of this paper, which I have not read yet, admonishes me to get busy and resume the work I once somewhat was known for. I’ll start by clearing away the eight pounds of paper and debris from my desk. Tomorrow.