Showing posts with label Albert Mackey. Show all posts
Showing posts with label Albert Mackey. Show all posts

Wednesday, December 13, 2023

‘Discover the Lost Word in the Reading Room’

    

Next in Craftsmen Online’s Reading Room is a chapter of Albert Mackey’s The Symbolism of Freemasonry. From the publicity:


The Reading Room will open on Tuesday, January 30 at 7 p.m. Eastern. Our panel for the evening will be R∴W∴ Clifford T. Jacobs, Bro. Jason W. Short, R∴W∴ Bill Edwards, and V∴W∴ Michael LaRocco. This meeting is open to the public, as all persons with an interest in the Ancient and Gentle Craft of Freemasonry are welcome.

Our reading selection is from Mackey’s The Symbolism of Freemasonry. We will focus on Chapter 31: “The Lost Word” (pages 300-311). This will allow us to have a lively philosophical discussion without getting into any of the ritual work in a non-tiled setting.

Click here to download your free copy of this material. Click here to enter the Reading Room.
     

Tuesday, October 12, 2021

‘The great object of pursuit in Masonry’

   
The Craftsman’s Apron

The great object of pursuit in Masonry—the scope and tendency of all its investigations—is TRUTH. This is the goal to which all Masonic labor evidently tends. Sought for in every degree, and constantly approached, but never thoroughly and intimately embraced, at length, in the Royal Arch, the veils which concealed the object of search from our view are withdrawn, and the inestimable prize is revealed.

This truth which Masonry makes the great object of its investigations is not the mere truth of science, or the truth of history, but is the more important truth which is synonymous with the knowledge of the nature of God—that truth which is embraced in the sacred tetragrammaton or omnific name, including in its signification His eternal, present, past, and future existence, and to which He himself alluded when He declared to Moses: “I appeared unto Abraham, unto Isaac, and unto Jacob, by the name of God Almighty, but by my name Jehovah was I not known unto them.”

This knowledge of divine truth is never thoroughly attained in life. The corruptions of mortality, which encumber and cloud the human intellect, hide it as with a thick veil from mortal eyes. It is only beyond the tomb and when released from the burthen of life that man is capable fully of receiving and appreciating the revelation. Hence, when we figuratively speak of its discovery in the Royal Arch Degree, we mean to intimate that the sublime portion of the Masonic system is a symbolic representation of the state after death. The vanities and follies of life are now supposed to be passed away. The first Temple, which we had erected with such consummate labor and apparent skill for the reception of the Deity, has proved an imperfect and transitory edifice. Decay and desolation have fallen upon it, and from its ruins, deep beneath its foundations, and in the profound abyss of the grave, we find that mighty truth, in the search for which life was spent in vain, and the mystic key to which death only could supply, when, having passed the portals of the grave, we shall begin to occupy that second temple—“that house not made with hands, eternal in the heavens.”

Albert G. Mackey
Book of the Chapter
1858


I didn’t make it to that Royal Arch Degree last night after all. While reviewing Masonic rituals helps reinforce their meanings, the lessons are accessible and portable—and a good book can keep things sparking in your head.

My congratulations to the newly exalted Royal Arch companions of Alpha, Three Times Three, and Union chapters!
     

Monday, August 9, 2021

‘National Book Lovers Day’

    
Polaris Productions

Today is National Book Lovers Day, an apt occasion to revisit Albert Mackey’s essential essay titled “Reading Masons and Masons Who Do Not Read.”

Click here, courtesy of Oregon Scottish Rite.
     

Monday, September 2, 2019

‘For this, and this alone, does a man become a Freemason’

     
“Labor is an important word in Masonry; indeed, we might say the most important. For this, and this alone, does a man become a Freemason. Every other object is secondary or incidental. Labor is the accustomed design of every Lodge meeting. But do such meetings always furnish evidence of industry? The labor of an Operative Mason will be visible, and he will receive his reward for it, even though the building he has constructed may, in the next hour, be overthrown by a tempest. He knows that he has done his labor. And so must the Freemason labor. His labor must be visible to himself and to his brethren, or, at least, it must conduce to his own internal satisfaction. As we build neither a visible Solomonic Temple nor an Egyptian pyramid, our industry must become visible in works that are imperishable, so that when we vanish from the eyes of mortals it may be said of us that our labor was well done.”

Johann Christian Gaedicke


Gaedicke was a Mason in Germany, initiated in 1804 at age 41. A bookseller by day, he went on to author seminal books on Masonic vocabulary, so his elegant assertion here on the subject of labor is fitting. Nor is it surprising that he was a favorite of Albert G. Mackey, who of course would go on to write his own Lexicon and Encyclopædia of Freemasonry. It is in Mackey’s encyclopedia where I found this quotation of Gaedicke’s. (Mackey also alternately spells it Gädicke.)

Today is the national holiday Labor Day here in the United States. I normally do not seize on holidays for thematic content for The Magpie Mason, but I see it differently today thanks to a discussion on Facebook I saw earlier. A venerable Mason in my former grand jurisdiction has created a group where the brethren may openly discuss the shortcomings of the Craft there, not in complaint or derision, but in the spirit of seeking a better way forward. This post today concerns social media. I have edited it sharply for length to use here:


As we Masons begin labor in our Lodges, please consider the recommendations in this post. Thanks.

Social Media Thoughts
and Commentary

I am convinced that social media could well be a solution to help solve some of the issues that plague our Grand Lodge. If used properly, I believe that we could utilize the reach of social media to address issues such as recruiting new members, retaining absent brothers, educating ourselves and the uninformed, and reinforcing core Masonic values.

As some of you might know, I underwent a very serious surgery this past February and as a result, I had a lot of time on my hands recovering from the operation…. While sitting in my comfy chair, I observed many posts covering after-meeting get-togethers, dinners, and other social functions.

Very rarely did I see anything written about the greatness of our fraternity, what it means to be a Freemason, or simply the honor of being a Master Mason. I wondered why so much time and effort went into posting pictures of smoking cigars, or eating and drinking, and claiming “another night of friendship and brotherhood.” I even saw a post with brothers in high positions of Grand Lodge leadership mocking another brother for something he had said. Yet, I found nothing written about the beauty, the mystery, or the honor of being a New Jersey Master Mason. Imagine if social media posts were inspirational, aspirational, and/or informational….

Why not address subjects as “Why I became a Freemason,” “What Freemasonry has done for me,” or “A year in the life of an active Freemason and his lodge.” With very little effort, I can identify at least a dozen other subjects. Along with a thought-provoking or informative article, why not post it with a picture of your lodge building, lodge room, or something with a Masonic theme?... I think posts that reflect our feelings about this great fraternity will be more helpful in attracting new members and retaining our absent brothers than scotch and cigars.


I can’t argue with that.

Regular readers of The Magpie Mason know I’m not against enjoying cigars, spirits, and fellowship, but I am against making these extra-curricular activities the focus of the lodge. (That is what, for example, the Grotto is for.) There is labor, and there is refreshment—and even during refreshment we are ever reminded to keep our wits. I have seen years worth of the Facebook posts our good brother laments above. I’ve seen dozens of photos of guys’ socks, their motorcycle rides, their restaurant entrees, and other attractions anyone could enjoy without ever considering becoming a Freemason. And this is nothing new. More than a decade and a half ago, I visited a lodge in New Jersey to join in its sesquicentennial celebration. The keynote speaker was the current grand master, who really had nothing Masonic to say, but instead spoke insistently and happily that Freemasonry could be stripped of its teachings, rituals, and symbols without detriment, because we’ll all still be friends anyway. That’s a kindergarten mentality that ripples through that jurisdiction.

We are here for our labors. Masonic Man is at once the builder, the raw building material, and the finished building block. Strip the Craft of its lessons and modes of instruction! Indeed.

In the wake of the Black Death in 14th century England, King Henry VI and Parliament endeavored to check the power of masons with a law that superseded the masons’ own regulations for wages. It became a felony for masons to gather for their “yearly congregations and confederacies” whereby these Statutes for Laborers “be openly violated and broken, in subversion of the law, and to the great damage of all the Commons.” The penalty for masons meeting illegally included imprisonment, fines, and ransom “at the king’s will.” The Statutes of Laborers were repealed under Queen Elizabeth I, as they were shown to have carried “no force or effect.” The labors of masons will not be infringed.

We Speculative Masons have our signs, grips, and words to demonstrate our fitness to receive Masons’ wages. We wield our Working Tools. Our lodges open for labor. Those labors include making Masons, and imparting good and wholesome instruction. You get the idea, but not everyone does.

Embedded somewhere, but I know not where, in the Masonic corpus is the Latin “Ora et labora,” meaning “to labor is to pray,” borrowed from Saint Benedict’s rule for monastic life. But that’s a topic for a future Labor Day.
     

Monday, July 20, 2009

‘…and the moon governs the night’

Visitors to the Newman Catholic Community Center at Drexel University in Philadelphia are greeted by audacious symbolism. The fresco rendering of the iconic color photograph of earthrise taken from the lunar surface lends context to the most incomprehensible phrase in human vocabulary: ‘In the beginning, God...’ Superimposed upon it all is the Chi-Rho mounted on a cross. The Chi-Rho, one of the oldest symbols denoting Christianity, is a combination of the Greek letters chi (X) and rho (P), the first two letters in the Greek spelling of Christ, meaning ‘king.’


On the 40th anniversary of mankind’s arrival on the moon, thoughts inevitably turn to the significance of the moon in Masonic symbolism. There is much to consider.

“The adoption of the moon in the Masonic system as a symbol is analogous to, but could hardly be derived from, the employment of the same symbol in the ancient religions,” says the 1924 edition of Mackey’s An Encyclopædia of Freemasonry and its Kindred Sciences. “In Egypt, Osiris was the sun, and Isis the moon; in Syria, Adonis was the sun, and Ashtoroth the moon; the Greeks adored her as Diana, and Hecate; in the mysteries of Ceres, while the hierophant or chief priest represented the Creator, and the torch-bearer the sun, the officer nearest the altar represented the moon. In short, moon-worship was as widely disseminated as sun-worship. Masons retain her image in their Rites, because the Lodge is a representation of the universe, where, as the sun rules over the day, the moon presides over the night; as the one regulates the year, so does the other the months, and as the former is the king of the starry hosts of heaven, so is the latter their queen; but both deriving their heat, and light, and power from Him, who as the third and the greatest light, the Master of heaven and earth, controls them both.”

Freemasonry as we know it is a product of the Enlightenment, meaning, in part, it is a philosophical society intended for the improvement of man’s station. Its use of universal symbols leads to great confusion among those who mistake it for anything from a continuation of the ancient mystery religions to a form of neo-paganism, like Wicca. Those who hold these opinions miss the point that above all else it is reason that Masonry aims to inculcate, not nature worship. It is thoughtful inquiry into the essence of nature we are taught to pursue, and not satisfaction with the superficial mindset that accepts Creation on par with the Creator.

“Whoever reflects on the objects that surround him will find abundant reason to admire the works of Nature, and adore the Being who directs such astonishing operations,” writes Bro. Charles Leslie in A Vindication of Masonry, his remarks to Vernon Kilwinning Lodge in Edinburgh on May 15, 1741. “He will be convinced that infinite wisdom could alone design, and infinite power finish such amazing works.”

Revealing what later generations of Masons will know as the Middle Chamber Lecture, Leslie continues:

“Speculative Masonry is so much interwoven with religion as to lay us under the strongest obligations to pay to the Deity that rational homage, which at once constitutes the duty and happiness of mankind. It leads the contemplative to view with reverence and admiration the glorious works of creation, and inspires them with the most exalted ideas of the perfections of the great Creator.”

And on Astronomy:

“Astronomy, though the last, is not the least important science. It is that divine art by which we are taught to read the wisdom, strength and beauty of the almighty Creator in those sacred pages, the celestial hemisphere. Assisted by astronomy, we can observe the motions, measure the distances, comprehend the magnitudes, and calculate the periods and eclipses of the heavenly bodies. By it we learn the use of the globes, the system of the world, and the primary law of nature. While we are employed in the study of this science, we perceive unparalleled instances of wisdom and goodness, and on every hand may trace the glorious Author by His works....

“By employing ourselves in the knowledge of these bodies, we are not only inspired with a due reverence for the Deity, but are also induced to apply with more anxiety and attention to the sciences of astronomy, geography, navigation, &c.”

Above, Mackey mentions Diana, the Roman moon goddess, and counterpart to the Greeks’ Artemis, who earns mention on her own in another, exoteric, section of the Middle Chamber Lecture on the subject of the Orders of Architecture:

“The Ionic is a mean between the more solid and the more delicate orders. Both delicacy and ingenuity are displayed in this pillar, the invention of which is attributed to the Ionians, as the famous Temple of Diana at Ephesus was of this order. It is said to have been formed after the model of a young woman of beautiful shape....”

The divine feminine looms large in other systems of symbols, like the tarot deck and astrology. (The Magpie Mason does not advocate use of tarot cards or astrology for divination, but, for reflection, study and exploration of symbols, tarot and astrology are as valid as any other works in the gallery of esoteric arts. Parallels to Masonic imagery are numerous.)

In tarot’s major arcana there is Card 18, called The Moon, which is thus described by Adele Nozedar in The Element Encyclopedia of Secret Signs and Symbols:

At the lower level of the three layers that comprise this image, is a square-edged lake with a crayfish in it. Above, there are two dogs – or possibly a wolf and a dog – that look up to the Moon, jaws open, possibly howling. To their left and right are the corners of two buildings, both slightly different. One has a roof; the other appears to be open to the sky and is reminiscent of the Tower that was struck by lightning in Card 16. In the sky at the top of the card is the full Moon, with a face that points to the left and with a halo of rays, like moonbeams, surrounding it. There are teardrop shapes surrounding it that seem to either emanate from the Moon or, alternatively, are sucked into it.

The dogs are a reminder of the hounds that accompany the Moon Goddess. Dogs also act as psychopomps, guardians of souls in the spirit world. There is a nightmarish aspect to this card. The surrounding landscape is barren, only two small plants appear in it, a sort of no-man’s land. This card represents the “dark night of the soul.” However, the preceding card (No. 15, The Star) signifies hope, and the Moon provides the light that is reflected from the Sun (Card 19), illuminating the way ahead, indicating that guidance will come from above.


Left: An elegant interpretation of The Moon tarot card, courtesy of All Posters.

Right: Bro. Colin Browne’s version, from his Square and Compasses Tarot Deck, which connects the moon to the Senior Warden in the West.



There is a lot to work with here. The dogs can remind us of hunting, as in Diana, Goddess of the Hunt. The twin towers may speak to certain pillars Masons know well. That crayfish is important for its shell. In other tarot decks and elsewhere in symbolism, creatures with shells (crabs, scarab beetles, etc.) denote self-protection, and even aloofness. The astrological connection, naturally, is to the crab of the Cancer constellation, which Nozedar describes elsewhere in her book as a female symbol that denotes the moon and, interestingly, spans from June 21 to July 22.

On July 20, 1969, astronauts named for the god of the sun landed on and walked on the moon. And Freemasonry was there. Bro. Edwin “Buzz” Aldrin, the second human to walk on the moon, was made a Mason at Montclair Lodge No. 144 in Montclair, New Jersey, which was Aldrin’s hometown. That lodge no longer exists; it is one of the many lodges that amalgamated into what today is Essex Lodge No. 7. But, getting back to the feminine, Aldrin’s mother’s maiden name was... Moon.