‘Devotional: The Still, Small Voice’

    

It’s been more than a year, but I haven’t gotten used to being a Virginia Mason. Usually, joining a research lodge does not make one a Mason in that lodge’s grand lodge, but the Grand Lodge of Ancient Free and Accepted Masons of the Commonwealth of Virginia sees that differently, and so my affiliation with Civil War Lodge of Research means I’m a Virginia Mason. Still, it doesn’t come to mind until I receive some communication from the Grand Lodge, whether it’s the quarterly print magazine (look for my article on CWLR in the new issue!) or something in my inbox.

As Grand Chaplain, RW Thomas Lee Varner, Jr. emails the brethren occasional essays in which he explores the various Biblical references in Craft ritual. (Virginia’s is very similar to New York’s.) The following is Thursday’s Devotional and is shared here with the kind permission of its author.

This monthly devotional has been approved by the Grand Master, Most Worshipful Jack Kayle Lewis. It is the latest in a series discussing Biblical references in our ritual.

The Still, Small Voice

In both the Entered Apprentice and Master Mason degree lectures, we learn that there was not the sound of any tool of iron heard in King Solomon’s temple while it was being built. Why was that? We know that the stones and timbers were cut and prepared elsewhere using iron tools, so the issue was not that the iron was unclean or that it polluted the temple. The scriptures are silent on this point, but perhaps it was that, because the workmen were building the house of God, that a holy and reverent silence needed to be observed. The only sounds were the low commands of the overseers, the whispering of the ropes as they lifted the stones into place, and the tapping of the wooden mauls as they set the timbers upright. They were guided by “that reverential awe which is due from a creature to his Creator” as expressed in the Entered Apprentice degree charge, and were exercising “those truly Masonic virtues, silence and circumspection” as noted in the emblem of the sword pointing to a naked heart in the Master Mason degree lecture. The reverent silence was also needed for them to hear when God spoke to their hearts any additional commands needed for the building.

We say that we were first prepared to be a Mason in our heart, and since we are engaged in the building of our own spiritual temples, it is important for us often to observe a holy and reverent silence to do that work. Psalm 46 instructs us to “Be still and know that I am God.”  A favorite story is that of Elijah in 1 Kings who, after defeating the prophets of Baal and receiving a death sentence from Jezebel, fled to Mt. Horeb, the same mountain where Moses received the Ten Commandments. God told him to stand and watch, and then sent a mighty windstorm, a tremendous earthquake, and finally an enormous fire, but He was not in any of them. He then spoke to him in a still, small voice, “Elijah, what are you doing here?” And that is how God often speaks to us, not in extraordinary miracles or immense demonstrations of power, but in gentle murmurs to our soul. As Masons, what are we doing here? Our ritual suggests that we are here to make each other better, to extend brotherly love and support to each other and our families, to be moral examples to our community, and to uphold the traditional American values of love of God, love of country, and love of family. In our daily lives filled figuratively with the deafening banging of drums and clashing of cymbals, it is often difficult to hear God’s voice and what He wants us to do. But we know that the Bible contains His still, small voice, and we would do well to set aside quiet time and prayer to make ourselves familiar with it. I assure you that when you seek God, He will not fail you. As it says in the Entered Apprentice lecture, “Ask and ye shall receive, seek and ye shall find, knock and the door shall be opened unto you.”

My thanks to our Grand Chaplain for his Devotionals, and for allowing me to share this one here.

     

‘Tisha B’Av feels closer to home this year’

    

chabad.org

Tisha B’Av, arriving Wednesday at sunset, is a Jewish observance that may be of interest to Freemasons in a counterintuitive way normally, but that bears greater meaning this year.

In the mainstream of Freemasonry, a lodge room is a place representing King Solomon’s Temple, and Tisha B’Av is a day of mourning a number of tragedies in Jewish history, including the destruction of that temple by the Babylonians circa 586 BCE. Observance includes fasting and reading from Lamentations.

Counterintuitive because in our lodges we do not think of the Temple as being destroyed. KST is viewed as architectural perfection for its proportions and its harmonious and artistic assembly to the glory of the Grand Architect of the Universe.

Well, except for that one thing.

But in current events, we plainly see reasons for worry—for lamentations even. In recent weeks we’ve seen violence against Masonic people and properties that we’re supposed to accept as independent uncoordinated attacks, but how coincidental can they be if the motives are similar?

Yesterday, an arsonist broke into the Scottish Rite Valley of El Paso and started a fire that damaged the ground floor. The Scottish Rite in Athens, Greece was targeted by a bomber July 13. Three days before that, Bro. Robert Wise was shot to death outside McAllen Lodge 1110 in Texas, after the lodge meeting. Last month, Leesburg Lodge 58 near Orlando, Florida was burned down by an arsonist. The list in the recent past is long, and takes us from Masonic Hall in Manhattan to Freemasons Hall in Dublin, and more.

I typically don’t write about these events; I cede the terrible news to the Dummies blog. But, since we’re on the eve of Tisha B’Av, these desecrating crimes trigger visceral energy beyond the pain of being victimized.

Last Thursday, the Grand Master of the Grand Lodge of Washington issued a memo to be read aloud in the lodges that encourages the brethren to be alert, particularly when at the lodge and when wearing items that signal Masonic membership.

However you fit in the demographics pie chart—be you Jewish, Christian, Muslim, Buddhist, or whoever—and wherever dispersed about the face of the earth you are, be diligent, prudent, temperate, and discreet.

     

‘Archaeological architecture from Solomon’s time’

    

A study published this month in Jerusalem Journal of Archaeology calls ashlar stone masonry “an elite style of architecture” that reveals clues into the time of David and Solomon.

“Royal Architecture in the Iron Age Levant,” by Madeleine Mumcuoglu and Yosef Garfinkel, identifies “six prominent characteristics of the royal style.” The stone masonry is counted with:

• volute capitals;
• decorated bases;
• rectangular roof beams;
• recessed openings of doors and windows; and
• window balustrades

The researchers, both from Hebrew University of Jerusalem’s Institute of Archaeology, credit finds at Khirbet Qeiyafa, an ancient fortress twenty miles south of Jerusalem, for catalyzing this particular focus, but they discuss evidence from around the Levant.

“In the Kingdom of Israel, large and splendid architectural complexes associated with especially fine buildings with ashlar masonry were uncovered at Samaria, Megiddo, Dan, and Hazor, royal centers dating from the 9th-8th centuries BCE,” the study reports.

“The beginning of royal architecture took place very early in Judah, much earlier than any of the other political units known in the Levant,” it says in conclusion. “This early appearance in the Kingdom of Judah may surprise some scholars, but such royal architecture is mentioned in the biblical tradition in relation to David’s palace, Solomon’s palace, and Solomon’s temple.”

Read the paper here.

     

‘You think you know something’

    

Not having been inside the French Doric Room of Masonic Hall in a long time, I had forgotten its subdued colors and classical charms. The ALR will be back in the Colonial Room for its next meetings in 2022, but this space actually might be perfect for us for its cozy decor and size.

(Sorry about the uneven point sizes in this edition of The Magpie Mason, but formatting in Blogger is inexplicably difficult. We can put William Shatner into orbit, but can’t have a blogging platform that doesn’t discombobulate over photos, links, and italics.)

Geez, you think you know something about Freemasonry—but then you attend a research lodge meeting.

Not just any research lodge, but The American Lodge of Research. That’s New York City’s Masonic literary society for historical inquiry, and the country’s oldest currently at labor.

While we had met in June for a quick installation of officers, which was necessary to make last night’s meeting possible, we gathered in the French Doric Room of Masonic Hall twenty-four hours ago for what technically was The ALR’s first fully functional regular communication in a number of years.

Of the three presentations scheduled, I went first because I required no projection equipment and it was easy to get me “out of the way,” so to speak. I delivered my “How to Research a Masonic Subject” talk. When I volunteered for this months ago, I pictured a room full of younger Masons who might have profited from a clear explanation of what kind of papers are needed in a research lodge (as opposed to the speculative papers that ought to be read in Craft lodges), plus some tips on how to get started and where to look for reputable source materials. It didn’t turn out that way. The brethren in lodge assembled numbered about twenty-five, and almost all have been around the quarries for some time. Standing at the lectern and relating how to craft a baccalaureate level paper on Masonic history to Piers Vaughan, Angel Millar, and the others reminds you how infinitesimal you are in this universe! But everyone was patient and kind, and kudos to Worshipful Master Conor for deftly opening the Q&A.

(But that wasn’t as bad as my not remembering the simple floorwork of attending at the altar. I’m in the Senior Deacon’s place, where I left off in 2013 and, while I thought I knew something about Freemasonry, I zigged where I should have zagged.)

Next up was Piers, who did need the PowerPoint gear, to reveal his fascinating art history review titled “The Story Behind the Most Famous Image of King Solomon’s Temple.”

Piers took us from the Hebrew Bible’s various descriptions of KST, with Ezekiel’s vision being most relevant to this discussion, forward in time to a number of other renderings culminating in the Georgian Era depiction that coincided with the birth of our trigradal degree system.

A most informative explanation of how understandings of key icons evolve and vary.  Gerhard Schott, John Field, Johann Bernhard Fischer von Erlach, and, especially, Juan Bautista Villalpando go where 1 Kings and 2 Chronicles do not.

Next was W. Bro. Michael from Hellenic Plato Lodge 1129 (I withhold his surname because he appears not to be known on the web as a Freemason), who told us about “Filiki Etaireia: A Secret Society Among Secret Societies.” You know Freemasons have been central to fights for national independence around the world, and Greece was no different.

Feliki Etaireia was not a Masonic group, but it featured certain Masonic characteristics because its membership did include Freemasons. For a cover, it purported to be a society for classical studies. Two hundred years ago, this faction risked everything to cleave its homeland from the Ottoman Empire. And they won.

The murals on the walls of the French Doric Room are ideal for Piers’ talk of art and architecture, and Michael’s discussion of Greek history.

It was wonderful being in the Masonic company of these brethren again. Marty, Joel, Gil, MW Sardone, and many more. RW Yves is back in the officer line. Plus it was great meeting Francois, Conrad, Rene, and a couple of brethren I noticed jotting notes during my talk.

Bill Sardone, who safely exited office as our Grand Master on Saturday after a term elongated by a year and a half because of the pandemic, truly deserves the credit for returning The ALR to labor. I am enjoined from ever telling the tale, but holy guacamole. (In journalism, there’s the custom of reporters often saving the best stories for themselves.) His labors on the lodge’s behalf continued through the meeting, even leaving the room in search of a ballot box, because…

We elected three Active Members, including Piers and Michael, and also elected seventeen Corresponding Members. And I’ve been hounding some friends from around the country whose memberships lapsed during our years of “refreshment.” This lodge is on the move once again.

Worshipful Master Conor (whose last name I likewise redact) is working hard. He brought us membership certificates. Elegant and suitable for matting and framing.

They look better with the foil seal and embossed stamp—and without the shadow of my hands and camera!

At The ALR’s first Under Dispensation meeting on April 18, 1931, the brethren were able to borrow from Oxford University Press a 1613 Barker Bible. (Robert Barker was King James I’s printer.) For our revival, Conor procured for us, also from OUP, a reproduction 1611 Barker KJV Bible. (The original 1611 is free of certain errors that sneaked into the 1613.) He also had the officers’ names added inside the cover. In doing so, he accidentally promoted me to Right Worshipful rank! Hey, I’ll take it!

The American Lodge of Research will meet again Tuesday, March 29, 2022 inside the Colonial Room on the tenth floor.

French Doric’s Inner Door.

Until then.

     

‘Weird Fact Wednesday: KST and geomagnetic dating’

     

Courtesy Biblical Archaeology

The Givati parking lot excavation site in Jerusalem.

A scientific study published earlier this month posits the charred findings remaining from the destruction of Jerusalem by Nebuchadnezzar 2600 years ago helps today’s research into archaeomagnetic dating, and that the history of Solomon’s Temple facilitates the research.

Titled “The Earth’s Magnetic Field in Jerusalem During the Babylonian Destruction: A Unique Reference for Field Behavior and an Anchor for Archaeomagnetic Dating,” the peer-reviewed paper was published August 7, at which time Biblical Archaeology Review explained:

“…researchers revealed that they were able to determine what the Earth’s geomagnetic field was at the time of the destruction. This allows scientists to compare to the geomagnetic field of today, chart the changes that have occurred over a precise period of time, and potentially project geomagnetic changes into the future. Earth’s geomagnetic field provides stability to Earth’s atmosphere and protects the planet from outside particles. For scientists, greater understanding of how the geomagnetic field has differed from a precise time 2,600 years ago, may provide important insights.

“In the study, researchers analyzed hundreds of burnt floor segments from a building in the Givati parking lot excavation in the City of David. By archaeomagnetic analysis, They were able to establish that most samples had reached a temperature of more than 1100 degrees Farenheit, such that the material would demagnetize, then orient to the magnetic field in the cooling down process. They could also determine that most of the samples were from the second floor of the original building, which had collapsed when the beams holding it up had been destroyed in the fires of Nebuchadnezzar’s sacking of Jerusalem, an event that marked the end of the Iron Age in the Levant.”

Read this research paper here.
     

‘The saddest day: destruction of KST’

     

Courtesy chabad.org

In New York City, sunset is just minutes away, which means Tisha B’Av, noted as the saddest day of the Jewish calendar, will begin. The ninth day of the month Av is cited as the anniversary of many tragedies confronted by Jews throughout their history, including the destruction of King Solomon’s Temple by the Babylonians in 423 BCE. And this is not the only reason why the day should be significant to Free and Accepted Masons.

In religious practice, it is a busy day for the faithful, albeit one shaped by mournful prayer, fasting, and additional acts of solemnity befitting this day of grim remembrance. The relevant Scripture is the Book of Lamentations, the prophecy of Jeremiah that foretells the destruction of the First Temple.


“For these things I weep; my eye, yea my eye, sheds tears, for the comforter to restore my soul is removed from me; my children are desolate, for the enemy has prevailed.” (1:16)

“The Lord has rejected His altar, He has abolished His Sanctuary, He has delivered into the hand of the enemy the walls of her palaces; they raised a clamor in the House of the Lord, as on a day of a festival.” (2:7)

“Restore us to You, O Lord, that we may be restored! Renew our days as of old.” (5:21)


In the Craft lodge, the Freemason speaks only of building the Temple, because the Mason is at once the builder, the raw material ashlar, and, in the end, the finished perfect ashlar fit for the Grand Architect’s designs. Even after the tragedy that befalls GMHA, we know from history that the labors continued and the Temple was completed. Although it was known what would happen to the Temple on Tisha B’Av, it had to be built. The Temple also is three-fold: the First Temple, as erected by Solomon; the Second Temple, of the post-Babylonian exile; and the “Third,” yet to be built, but inevitable.
     

‘King Solomon’s Temple, nazis, and a legendary piano’

     
It has been known as “The Immortal Piano” and “The Siena Piano” and “The King’s Piano” and “The Harp of David Piano,” and legend says it is made of cedar from King Solomon’s Temple; after failing to sell via eBay earlier this winter, the magnificent upright piano made in Italy in 1799 was auctioned last Monday by Winner’s Auctions.

It was hoped the singular piece would garner between $1.5 million and $2 million, but the final gavel sounded after 33 competitive bids at $320,000.

Courtesy liveauctioneers.com

The Solomon’s Temple bit aside, this piano has an unbelievable history. From the auction house description:


The story of this piano starts at the beginning of the 19th century, when a harpsichord maker from Turin, Italy, named Sebastian Marchisio worked on building a new piano. Many legends have been told about the raw materials used by Marchisio. Inter alia, it is claimed that the source of wood for the piano was from the trees Hiram brought to King Solomon for the building of the first Temple.

Courtesy liveauctioneers.com

Sebastian managed to finish the resonance box before he passed away, but not the whole piano. His son Enrico continued building the piano, and after Enrico’s death, his grandsons Luciano and Raffaelo, talented craftsmen in their own right, made some changes, including adding strings, keys and hammers, while leaving the original resonance box built by their grandfather. The work was finally completed c. 1825. The new piano had a unique tone, unlike any instrument built until that time. The combination of Sebastian’s original resonance box and the enhancements contributed by his grandchildren created a more delicate sound than the pianos of those days, much like a harpsichord, yet more powerful, like a piano.

Courtesy liveauctioneers.com

The piano was given as a present to their sister, Sebastian’s granddaughter, Rebecca, who lived in Siena. The piano became very famous there, as it was frequently featured at festive events in the city. Toward the 1860s, the Marquis of Siena ordered a more magnificent appearance to be given to the piano. Sculptor Nicodemo Ferri, Rebecca’s son, and great-grandson of the original creator of the piano, Sebastian, together with his cousin, architect and painter Carlo Bartolozzi, were commissioned for this work. They produced the piano’s magnificent and impressive frame and its cover, which remain to this day. The design includes portraits of famous composers Mozart, Handel, and others. At center, they carved David’s harp, as well as lions, cherubs, and more. The refurbished piano is considered one of the most beautiful and impressive musical instruments in the world. Furthermore, the new design also included new technology: a staticofone, an iron-reinforced frame, which enhanced the sound. In 1867, after the piano’s design was completed, it was sent to Paris for the World’s Fair. The piano was exhibited in the Italian Pavilion, where renowned pianist Camille Saint-Saëns was one of the many who played it.

Courtesy liveauctioneers.com

A year later, in 1868, the City of Siena (after convincing Ferri) gave it to King (then Prince) Umberto I on the occasion of his marriage to Margherita, Princess of Savoy, with pianist Franz Liszt playing on it at the ceremony. Liszt also played it on other occasions in later years. Umberto was crowned King of Italy in 1878, and the piano earned the name “The King’s Piano.” The piano was transferred to Palazzo del Quirinale. It remained there for approximately 70 years, serving the royal family. Queen Margherita often entertained in the palace’s music room, where the piano stood, and it is reported to have been her favorite instrument.

During the 1880s, Mattis Yanowski, a refugee from Czarist Russia, performed before King Umberto, performing wondrously. After the performance, the king approached Yanowski, complimented his playing. He told him about the wondrous piano in his possession, justifiably nicknamed “David’s Harp,” and he invited him to play at his palace. The invitation and the description of the piano left a great impression on Yanowski, but the king’s murder prevented Yanowski from seeing the piano and it remained an unrealized dream. On his deathbed, Yanowski extracted a promise from his grandson Avner Carmi, one of the first piano makers and tuners in the Land of Israel, to go see the legendary piano in Rome. Carmi first traveled to Berlin in 1920 with the goal of studying music and piano tuning. On his way, he went to Rome and attempted unsuccessfully to get into the palace to see the piano. He visited Rome several times more over the following years, but each time, he did not manage to see the legendary piano. Once, he was even arrested by the palace guards, and released with his friend Arthur Schnabel’s intervention.

Courtesy liveauctioneers.com

Carmi was drafted into the British army during WWII, and he served in Egypt. One day, soldiers from his unit who were searching for mines using metal detectors, discovered a plaster-covered piano buried in the sand, and brought it with them. The unit’s officers wanted to discard the piano, but Carmi convinced them to hold on to it as a means to entertain the soldiers. In a strange twist of fate, Carmi himself did not realize that this was the piano he had been seeking all those years. After the war, the piano was sold at auction in Gaza City, where a Tel Aviv dealer bought it. Carmi despaired of searching for the legendary piano while visiting Monza after the British conquest, when he discovered that the piano had been looted by a senior Nazi officer, apparently Rommel himself. When he returned to Tel Aviv, he met that same dealer who had bought the piano in Gaza. He bought it from him for next to nothing because the crowding at the dealer’s store was insufferable.

Carmi began refurbishing it, and much to his amazement, after discarding a few pieces of plaster from the piano, carved cherubic figures peeked out at him from the wood. As he continued to work, he realized that the legendary piano he had been searching for over the years now stood in his living room. Excited, Carmi wrote to the King of Italy to tell he had the piano, and that he had commenced the grueling work of restoring it. It took him three years and 90 liters of acetone to recreate its external appearance. Carmi then traveled to the United States with the piano, where he restored its original special sound. The piano starred in American media with the best musicians of the day playing it, such as Arthur Rubinstein, Penina Saltzman, Charles Rosen, Alfred Cortot, and others. Many articles and extensive write-ups have covered it. There was an attempt to produce a movie about it, but Avner Carmi passed away before this idea was realized.
Carmi’s children eventually sold the piano to a private collector.
     

‘Remember, remember the Ninth of Av’

     
On this Jewish calendar date, the Ninth of Av, Nebuchadnezzar’s troops took Jerusalem and destroyed King Solomon’s Temple in the year 587 BCE, and the Second Temple was destroyed by Roman forces in 70 CE. Many other calamities occurred on this date in Jewish history right up to the modern era.

Synagogue lights will be dimmed, fasting will commence, and the Book of Lamentations will be read.

It’s worth the attention of Freemasons too.
     

‘KST: Separating Fact from Fiction’

     
The Chancellor Robert R. Livingston Masonic Library at the Grand Lodge of New York will welcome a renowned Masonic scholar back to the lectern next Thursday to present his popular lecture from January. That’s December 14 at 6:30 p.m. The library is located on the 14th floor of Masonic Hall (71 West 23rd Street, Manhattan). Photo ID is required to enter the building.

From the publicity:

Due to popular demand, RW Pierre de Ravel d’Esclapon will reprise his lecture “Solomon’s Temple: Separating Fact from Fiction.”

Magpie file photo

Pierre de Ravel d’Esclapon

We are honored to have this recognized historian deliver this fascinating lecture again at the library. This lecture is a companion lecture to the December 2016 “Magic Lantern Slide Show,” which is available on our YouTube channel. We are excited to learn of the changes in knowledge about this important building which features so prominently in Masonic symbolism.

Pierre de Ravel d’Esclapon is the First Vice President of the Chancellor Robert R. Livingston Masonic Library. A graduate of Harvard Law School, he is a Professor of Law at University of Montréal Law School and, by avocation, is a historian.

He has written extensively on historic topics, and has lectured several times as part of the Distinguished Speakers Series at New-York Historical Society, the John Jay Homestead, the National Arts Club, the Holland Lodge Historical Society, the Bicentennial of the Grand Encampment of Knights Templar, and, most recently, at The American Lodge of Research.
     

‘Why King Solomon’s Temple?’

     
The Scottish Rite Valley of New York City offers a lecture Tuesday night that addresses an important subject, and is open to Master Masons. SP Shlomo Bar-Ayal, 32˚ will present “Why King Solomon’s Temple: Why Did Freemasonry Choose this Building as the Basis for its Lodges Above other Ancient Structures?”

That’s at Masonic Hall (71 West 23rd Street, Manhattan) in the Gothic Room on 12 at 7:30 p.m. Photo ID is required to enter the building. Attire: either black tie or business suit.

I cannot attend, but I would love to hear his research. Many years ago, I also spoke on this subject, relying on the very earliest of Masonic literature to explain how the Tower of Babel had been the architectural focal point of Masonic thought, and how David and Solomon would be embraced as the Biblical models for English and European royal succession. (Succession was a huge deal during the generations leading up to the birth of modern Freemasonry as we know it.)

So make sure you get there, and bring your lodge brothers along.
     

‘Solomon’s Temple lecture at Livingston Library’

     
The Chancellor Robert R. Livingston Masonic Library’s lecture series continues this month with a presentation on the 26th by Pierre de Ravel d’Esclapon. From the publicity:


In a companion lecture to our December 2016 “Evolution and Restoration of King Solomon’s Temple Magic Lantern Slide Show,” which was originally produced in 1926 by the Grand Lodge of New York, this month, RW Pierre de Ravel d’Esclapon, First Vice President of the Library’s Board of Trustees and noted lecturer, will speak on the current body of knowledge concerning King Solomon’s Temple.

Thursday, January 26

6:30 p.m.

Masonic Hall

71 West 23rd Street

14th Floor

Manhattan

Join us for an evening of exploration and information! White wine will be served. Seating is limited and preference will be given to those who reserve seats. Please RSVP here. Photo ID is required to enter Masonic Hall.
     

‘Restoration of King Solomon’s Temple’

     
Long before there was PowerPoint, and even predating the Kodak Carousel by decades, there was a marvelous technology named Magic Lantern. Among its users were lodges of Freemasons, which employed this wizardry to, er, illuminate the lecture portions of the three degrees of initiation in a time when tracing boards were being phased out.

Courtesy Livingston Library

The slides were hand-painted glass lenses encased in wooden frames that were bigger than your hand, and that had to be inserted into and removed from the Magic Lantern projector by hand as the narration of the lecture proceeded.

Next time you clean out your lodge’s attic or other forgotten, neglected storage space, and you happen upon these quaint and mysterious objects, that’s what they are.

Fast forward to 2016 (Is even fast forward a thing any more?) and the Chancellor Robert R. Livingston Masonic Library of the Grand Lodge of New York will host a presentation of a collection of the Magic Lantern images from 1926 in a holiday season gathering open to Masons and friends of Freemasonry. From the publicity:

The Restoration

of King Solomon’s Temple

Presented by RW Peter A. Flihan

Thursday, December 15

6:30 p.m.

Livingston Library

Masonic Hall

71 West 23rd Street, 14th Floor

Manhattan

RW Peter A. Flihan
Grand Treasurer

Join us December 15 for a journey through time. Reading from a script prepared in 1926 for Masonic education, RW Peter A. Flihan will narrate the story of the Restoration of King Solomon’s Temple while we marvel at the projected images of the original hand-colored slides.

Surrounded by candlelight, with eggnog in hand, friends and family will enjoy this meaningful tale perfectly timed for the holiday season.

This presentation is free and open to all. Please RSVP to the library here.


Thursdays usually are impossible for me, but with the promise of eggnog, I will be there. Remember, photo ID is required to enter Masonic Hall, and don’t forget to RSVP to the library.
      

‘Tisha B’av 5774’

     
“For the Lord your God is a merciful God; He will not let you loose or destroy you; neither will He forget the covenant of your fathers, which He swore to them.”

Lamentations 4:31

Courtesy Aish

It must be daylight still somewhere, so we are in the final hours of Tisha B’av of 5774, the Jewish commemoration of the destruction of the First and Second Temples in Jerusalem; the former—King Solomon’s Temple—was sacked by the Babylonians in 586 BCE, and the latter destroyed by the Romans in 70 CE. It is a sad day of fasting and observance among Jews for obvious reasons.

Within fifteen years of the Romans’ destruction of Jerusalem, the Arch of Titus, located near the Forum, was unveiled to the Roman citizens. One of its decorative marble relief panels depicts victorious Romans carrying plunder from the Temple, including its menorah, and possibly the Ark itself. Whether this art is journalistic accuracy or grandiose sycophancy or a little of both remains unknown.
     

‘A temple in Syria’

     
Amid all the horrible news of death and destruction in Syria today comes updated word of a most curious ancient temple archeologists have been excavating and studying. The ’Ain Dara temple in northern Syria is, according to the Biblical Archaeology Society, practically a twin of the ancient center of Israelite life: Solomon’s Temple.

I don’t think I’ve ever reproduced anyone else’s entire article before on The Magpie, but this is worthwhile. ©Biblical Archaeology Society, 2013. (In the past I have recommended subscribing to its magazine, and do so again. Click here.)

Searching

for the Temple

of King Solomon

For centuries, scholars have searched in vain for any remnant of Solomon’s Temple. The fabled Jerusalem sanctuary, described in such exacting detail in 1 Kings 6, was no doubt one the most stunning achievements of King Solomon in the Bible, yet nothing of the building itself has been found because excavation on Jerusalem’s Temple Mount, site of the Temple of King Solomon, is impossible.

Fortunately, several Iron Age temples discovered throughout the Levant bear a striking resemblance to the Temple of King Solomon in the Bible. Through these remains, we gain extraordinary insight into the architectural grandeur of the building that stood atop Jerusalem’s Temple Mount nearly 3,000 years ago.

The black basalt ruins of the Iron Age temple discovered at ’Ain Dara in northern Syria offer the closest known parallel to the Temple of King Solomon in the Bible. Photo: Ben Churcher

As reported by archaeologist John Monson in the pages of BAR, the closest known parallel to the Temple of King Solomon is the recently discovered ’Ain Dara temple in northern Syria. Nearly every aspect of the ’Ain Dara temple—its age, its size, its plan, its decoration—parallels the vivid description of the Temple of King Solomon in the Bible. In fact, Monson identified more than 30 architectural and decorative elements shared by the ’Ain Dara structure and the Jerusalem Temple described by the Biblical writers.

The ’Ain Dara temple and the Biblical Temple of King Solomon share very similar plans. Images: Ben Churcher

The similarities between the ’Ain Dara temple and the temple described in the Bible are indeed striking. Both buildings were erected on huge artificial platforms built on the highest point in their respective cities. The buildings likewise have similar tripartite plans: an entry porch supported by two columns, a main sanctuary hall (the hall of the ’Ain Dara temple is divided between an antechamber and a main chamber) and then, behind a partition, an elevated shrine, or Holy of Holies. They were also both flanked on three of their sides by a series of multistoried rooms and chambers that served various functions.

Even the decorative schemes of ’Ain Dara temple and the temple described in the Bible are similar: Nearly every surface, both interior and exterior, of the ’Ain Dara temple was carved with lions, mythical animals (cherubim and sphinxes), and floral and geometric patterns, the same imagery that, according to 1 Kings 6:29, adorned the Temple of King Solomon in the Bible.

It is the date of the ’Ain Dara temple, however, that offers the most compelling evidence for the authenticity of the Biblical Temple of King Solomon. The ’Ain Dara temple was originally built around 1300 B.C. and remained in use for more than 550 years, until 740 B.C. The plan and decoration of such majestic temples no doubt inspired the Phoenician engineers and craftsmen who built Solomon’s grand edifice in the tenth century B.C. As noted by Lawrence Stager of Harvard University, the existence of the ’Ain Dara temple proves that the Biblical description of Solomon’s Temple was “neither an anachronistic account based on later temple archetypes nor a literary creation. The plan, size, date and architectural details fit squarely into the tradition of sacred architecture from north Syria (and probably Phoenicia) from the tenth to eighth centuries B.C.”

Gigantic footprints belonging
to the resident deity were carved
at the temple’s entrance.
Photo: A.M. Appa

Certain features of the ’Ain Dara temple also provide dramatic insight into ancient Near Eastern conceptions of gods and the temples in which they were thought to reside. Carved side-by-side in the threshold of the ’Ain Dara temple are two gigantic footprints. As one enters the antechamber of the sanctuary, there is another carving of a right foot, followed 30 feet away (at the threshold between the antechamber and the main chamber) by a carving of a left foot. The footprints, each of which measures 3 feet in length, were intended to show the presence (and enormity) of the resident deity as he or she entered the temple and approached his or her throne in the Holy of Holies. Indeed, the 30-foot stride between the oversize footprints indicates a god who would have stood 65 feet tall! In Solomon’s Temple, the presence of a massive throne formed by the wings of two giant cherubim with 17-foot wingspans (1 Kings 6:23–26) may indicate that some Israelites envisaged their God, Yahweh, in a similar manner.

‘Lubitz lecture next Monday’

    
Bro. Lenny is back on the road, scheduled to speak at Masonic Hall next Monday. From the publicity:

In the tradition of our ancient operative brethren, who were committed to their Labor throughout the year, as evidenced by both those who constructed the Temple of Solomon in Jerusalem as well as those who built the Great Pyramid of Cheops without any cessation during the summer months, you are invited to a lecture titled “Isaac Newton and the Temple of Solomon” by W. Bro. Lenny Lubitz.

Monday, August 5 at 7:30 p.m.

Masonic Hall

71 West 23rd Street, Manhattan

Wendell Walker Room

On arrival, please proceed directly to the rear lobby (at the 24th Street entrance) to the Wendell Walker Room. Brothers of all ranks are welcome and encouraged to attend. Please RSVP by e-mail to prestonslevel (at) gmail.com with your full name on lodge
affiliation.

Fraternally,
The Preston’s Level Masonic Education Association
    

‘Isaac Newton and King Solomon’s Temple’

  
Two rules of thumb: 1) If you’re a regular reader of this website, you’re a guy who has nothing to do on a Friday night; and b) Bro. Lenny Lubitz is our kind of Freemason. Combine these two factoids and you have plans for tonight.

I don’t know Lenny well, but he’s one of the Masons who “gets it.” I keep bumping into him here and there. The book club up in Bergen County. The research lodge in New York City. ICHF.

Lenny is a Past Master of Abravanel Lodge No. 1116 in New York, and tonight at Atlas-Pythagoras he will discuss “Isaac Newton and King Solomon’s Temple.” The lecture is open to Apprentices and Fellows. Lodge opens at 7:30.
  

‘The Temple of Solomon’

     

Author James Wasserman will return to the Chancellor Robert R. Livingston Masonic Library for another speaking engagement next month, Director Tom Savini announced this week.

Wednesday, June 6

6 p.m.

Masonic Hall, 14^th Floor

71 W. 23^rd St.

New York City

Wasserman will discuss his book The Temple of Solomon, “a lushly-illustrated exploration of the Temple in history and legend.” (His publisher will have copies of the book available for purchase in both hardcover and softcover formats, as well as limited copies of the author’s other works.)

Attendance is free, and open to the public.