‘You think you know something’

    

Not having been inside the French Doric Room of Masonic Hall in a long time, I had forgotten its subdued colors and classical charms. The ALR will be back in the Colonial Room for its next meetings in 2022, but this space actually might be perfect for us for its cozy decor and size.

(Sorry about the uneven point sizes in this edition of The Magpie Mason, but formatting in Blogger is inexplicably difficult. We can put William Shatner into orbit, but can’t have a blogging platform that doesn’t discombobulate over photos, links, and italics.)

Geez, you think you know something about Freemasonry—but then you attend a research lodge meeting.

Not just any research lodge, but The American Lodge of Research. That’s New York City’s Masonic literary society for historical inquiry, and the country’s oldest currently at labor.

While we had met in June for a quick installation of officers, which was necessary to make last night’s meeting possible, we gathered in the French Doric Room of Masonic Hall twenty-four hours ago for what technically was The ALR’s first fully functional regular communication in a number of years.

Of the three presentations scheduled, I went first because I required no projection equipment and it was easy to get me “out of the way,” so to speak. I delivered my “How to Research a Masonic Subject” talk. When I volunteered for this months ago, I pictured a room full of younger Masons who might have profited from a clear explanation of what kind of papers are needed in a research lodge (as opposed to the speculative papers that ought to be read in Craft lodges), plus some tips on how to get started and where to look for reputable source materials. It didn’t turn out that way. The brethren in lodge assembled numbered about twenty-five, and almost all have been around the quarries for some time. Standing at the lectern and relating how to craft a baccalaureate level paper on Masonic history to Piers Vaughan, Angel Millar, and the others reminds you how infinitesimal you are in this universe! But everyone was patient and kind, and kudos to Worshipful Master Conor for deftly opening the Q&A.

(But that wasn’t as bad as my not remembering the simple floorwork of attending at the altar. I’m in the Senior Deacon’s place, where I left off in 2013 and, while I thought I knew something about Freemasonry, I zigged where I should have zagged.)

Next up was Piers, who did need the PowerPoint gear, to reveal his fascinating art history review titled “The Story Behind the Most Famous Image of King Solomon’s Temple.”

Piers took us from the Hebrew Bible’s various descriptions of KST, with Ezekiel’s vision being most relevant to this discussion, forward in time to a number of other renderings culminating in the Georgian Era depiction that coincided with the birth of our trigradal degree system.

A most informative explanation of how understandings of key icons evolve and vary.  Gerhard Schott, John Field, Johann Bernhard Fischer von Erlach, and, especially, Juan Bautista Villalpando go where 1 Kings and 2 Chronicles do not.

Next was W. Bro. Michael from Hellenic Plato Lodge 1129 (I withhold his surname because he appears not to be known on the web as a Freemason), who told us about “Filiki Etaireia: A Secret Society Among Secret Societies.” You know Freemasons have been central to fights for national independence around the world, and Greece was no different.

Feliki Etaireia was not a Masonic group, but it featured certain Masonic characteristics because its membership did include Freemasons. For a cover, it purported to be a society for classical studies. Two hundred years ago, this faction risked everything to cleave its homeland from the Ottoman Empire. And they won.

The murals on the walls of the French Doric Room are ideal for Piers’ talk of art and architecture, and Michael’s discussion of Greek history.

It was wonderful being in the Masonic company of these brethren again. Marty, Joel, Gil, MW Sardone, and many more. RW Yves is back in the officer line. Plus it was great meeting Francois, Conrad, Rene, and a couple of brethren I noticed jotting notes during my talk.

Bill Sardone, who safely exited office as our Grand Master on Saturday after a term elongated by a year and a half because of the pandemic, truly deserves the credit for returning The ALR to labor. I am enjoined from ever telling the tale, but holy guacamole. (In journalism, there’s the custom of reporters often saving the best stories for themselves.) His labors on the lodge’s behalf continued through the meeting, even leaving the room in search of a ballot box, because…

We elected three Active Members, including Piers and Michael, and also elected seventeen Corresponding Members. And I’ve been hounding some friends from around the country whose memberships lapsed during our years of “refreshment.” This lodge is on the move once again.

Worshipful Master Conor (whose last name I likewise redact) is working hard. He brought us membership certificates. Elegant and suitable for matting and framing.

They look better with the foil seal and embossed stamp—and without the shadow of my hands and camera!

At The ALR’s first Under Dispensation meeting on April 18, 1931, the brethren were able to borrow from Oxford University Press a 1613 Barker Bible. (Robert Barker was King James I’s printer.) For our revival, Conor procured for us, also from OUP, a reproduction 1611 Barker KJV Bible. (The original 1611 is free of certain errors that sneaked into the 1613.) He also had the officers’ names added inside the cover. In doing so, he accidentally promoted me to Right Worshipful rank! Hey, I’ll take it!

The American Lodge of Research will meet again Tuesday, March 29, 2022 inside the Colonial Room on the tenth floor.

French Doric’s Inner Door.

Until then.

     

‘Discovering Greece and Rome in Gotham’

     
I really need to pay closer attention to the Institute of Classical Architecture and Art. Located just a mile north of Masonic Hall, the ICAA offers great events, to wit:

Classical New York:

Discovering Greece and Rome

in Gotham

Thursday, September 27

6:30 to 8:30

20 West 44th Street, first floor

Register here

During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. Join Elizabeth Macaulay-Lewis, Matthew McGowan, and Francis Morrone, three of the authors of the upcoming book Classical New York: Discovering Greece and Rome in Gotham (Fordham University Press), for an evening of interdisciplinary exploration of New York City’s classical roots.

Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces.

Following an introduction to classical reception and its importance in New York City, the three authors will speak on their papers from Classical New York:

Fordham University Press

• Elizabeth Macaulay-Lewis’s “The Gould Memorial Library and Hall of Fame: Reinterpreting the Pantheon in the Bronx”

• Matthew McGowan’s “In Ancient and Permanent Language: Artful Dialogue in the Latin Inscriptions of New York City”

• Francis Morrone’s “The Custom House of 1833-42: A Greek Revival Building in Context.”

Copies of Classical New York: Discovering Greece and Rome in Gotham will be available for purchase following the event.

Elizabeth Macaulay-Lewis is Assistant Professor and Acting Executive Officer of the M.A. Program in Liberal Studies (MALS) and director of the MALS track Archaeology of the Classical, Late Antique, and Islamic Worlds at the City University of New York. She majored in history, archaeology, and classics at Cornell University, where she graduated summa cum laude, and she earned her master’s and doctoral degrees in archaeology at Oxford University. She has taught at Oxford and Royal Holloway–University of London. Macaulay-Lewis is the editor or author of five books, including the 2017 work Housing the New Romans: Architectural Reception and Classical Style in the Modern World, and the author of over a dozen articles on ancient Roman and Islamic gardens and architecture.

Matthew McGowan is Associate Professor and Chair of Classics at Fordham University. He is interested in Roman poetry, ancient scholarship, and classical reception. He has published broadly on a variety of Greek and Latin topics and is the author of Ovid in Exile: Power and Poetic Redress in the Tristia and Epistulae ex Ponto (Brill, 2009). Alongside editing Classical New York, he is compiling a guide to the Greek and Latin inscriptions of New York City. He teaches a wide range of courses, from classical myth to Latin prose composition, and has instituted the spoken Latin table at the Rose Hill campus. He was President of the New York Classical Club (2009-15) and is now Vice President for Communications and Outreach for the Society for Classical Studies.

Francis Morrone is an architectural historian and the author of eleven books including Guide to New York City Urban Landscapes (W.W. Norton, 2013); The New York Public Library: The Architecture and Decoration of the Stephen A. Schwarzman Building (with Henry Hope Reed, W.W. Norton, 2011); and architectural guidebooks to Philadelphia and Brooklyn. As a historic preservation consultant he has written countless building histories and neighborhood surveys in New York and beyond. He worked as an art and architecture critic for the New York Sun. Collectively, his work represents one of the most comprehensive bodies of research on the built history of New York City.

The Gould Memorial Library and Hall of Fame. My alma mater’s previous library in the Bronx. Only a tiny piece of it was relocated to Washington Square, where the current library stands. Bobst Library looks...ah, different.

     

‘Masonic Lodges in Constantinople (Not Istanbul)’

     
As I’ve noted here and there over the years on The Magpie, I very much enjoy finding on other blogs that typically have nothing to do with Freemasonry interesting posts that are entirely about Freemasonry and, on Monday, the Adrian Harrington book dealer blog gratified that itch in a most interesting way.

Mr. Harrington has been in the book trade in London for 45 years; in fact, three generations of his family now operate the business. Click here to see the website, and be sure to visit the Occult & Esoterica listings.

The blog post in question shares a rare document that came to the dealer inadvertently. He explains:

Letterhead of the Greek lodge. © James Murray 2015

Working with rare and valuable books has a tendency to make the extraordinary seem rather ordinary. You start to wonder how certain agglomerations of leather, cloth, paper, and ink can be worth so much. These doubts are cast aside, however, when confronted with something that makes a personal connection with you. The truth is that books, letters, and diaries provide the most direct links between individuals from the past and those living in the present. Although it is the messages they transmit which are invaluable, surely paper and ink are no less valuable as tangible markers of history than art or architecture?

It is with these thoughts in mind that I encounter a fascinating letter, pulled from a mass of moldering legal documents. It is a personal missive, possibly wrapped up in a bundle of paperwork by accident, and now in my hands entirely by chance.

The letter in question. © James Murray 2015

Read all about it, and see more photos, here.

Sapuncakis Köşkü. © James Murray 2012