‘Four Crowned Martyrs Day’

    

Today is the Feast Day of the Four Crowned Martyrs, namesakes of the famous Quatuor Coronati Lodge 2076 in London, the first lodge of Masonic research.

Like so much in embryonic Masonic letters, the legend of the Four Crowned Martyrs vexes the reader. In short, there are competing stories about them which not only render divergent narratives, but even tell of different martyrs! What all these saints do share in common is being murdered on the orders of Emperor Diocletian. Not how you want to go.

Today, I’ll share a short piece written by one of the lodge’s first members, Bro. Adolphus Frederick Alexander Woodford, a Past Master of Lodge of Antiquity 2 and a Past Grand Chaplain of the United Grand Lodge of England. (More of his amazing biography at bottom.) This explanation of things appears in Vol. 1 of Ars Quatuor Coronatorum, the research lodge’s book of transactions for the period of 1886 to 1888. (I’ll also add that the Arundel Manuscript mentioned below has no originative connection to the Codex Arundel, Leonardo da Vinci’s writings on geometry and other subjects. However, both batches of papers were collected by the Earl of Arundel during the early seventeenth century.)

The Quatuor Coronati.

The Legend of the Quatuor Coronati is very interesting to Freemasons because in the legend, as in the Arundel MS.—a transcript of the more important portions of which follows—the Quatuor were originally four Craftsmen by name Claudius, Castorius, Simphorianus, and Nicostratus, “mirificos in arte quadrataria,” which though it is translated the “art of carving,” is literally “the stone-squarer’s art,” or the art of stone-squaring. They are distinctly called “artifices” artificers, although as the legend shows us, to the four artificers are joined four milites; whilst one Simplicius, converted to Christianity by the four during the progress of events narrated by the legend, is added to the stone-squarers, making nine in all. They are declared to have been Christians, “occulte,” secretly. Diocletian ordered an image of Æsculapius to be made, and after a contest and dialogue with “quinque Philosophi” Simphorianus, who appears to be the leader and spokesman, adds Simplicius to the number —now five—and refuses, on their behalf and with their consent, to make the image. They are brought before Lampadius the Tribune, who after reference to Diocletian, orders them to be stripped and beaten with scorpions, “scorpionibus mactari,” and then, by Diocletian’s order, they were placed in “loculi plumbei,” leaden coffins, and cast into the Tiber.

A certain Nicodemus is said to have raised the coffins and taken them to his own house; levavit says the legend.

Two years afterwards, Diocletian ordered the soldiers to pay homage to a Statue of Æsculapius, but four “Cornicularii,” or wing-leaders of the city militia, refused. They were ordered to be put to death in front of the image of Æsculapius by strokes of the Plumbata, “ictu plumbatarum,” and their bodies cast into the streets to the dogs, where they lay five days.

Then Sebastianus, with Pope Melchiades, is said to have taken up the bodies and buried them in the cemetery on the road to Lavica. By the use of the word “Arenaria,” allusion is made to the sandpits in which slaves and criminals were buried, but Christians never. But in order to conceal the catacombs from their persecutors, opening and entrances were made and used in the Arenaria to deposit the bodies of martyrs and the like in the catacombs. Here they seemed to have remained till the ninth century.

For though Melchiades appointed the day, 8th November, in the fourth century, and it is recognized as such in the Sacramentary of Gregory 200 years later, and Pope Honorius in the seventh century built a church to their especial honor, it was not until the ninth century apparently that Pope Leo translated the relics of the nine worthies to the restored and embellished church on the Cœlian Hill, now called the Church of the “Santi Cuatro Incoronati,”—Incoronati in modern Italian being identical with Coronati in mediæval and classic Latin.

It will be seen that the names have become confused as time has run on, and various appellations have been given to the four and the five. Originally the legend gives Claudius, Castorius, Simphorianus, and Nicostratus, and to these Simplicius is added. The remaining four in one of the earliest legends are said to be Severus, Severianus, Carpophorus, and Victorinus. This makes nine in all—nine worthies—concerning whom there is no reason to disbelieve, no a priori objection to, the perfect truth of the legend. Clear it is that in process of time the facts of the story itself have become a little confused and the names intermingled, but there is no doubt from very early days the four or five have been commemorated on the same one day. In one martyrology, November 8th is thus commemorated “Senas ornantes idus merito atque cruore, Claudi, Castori, Simplicii, Simphoriani, et Nichostrate pari fulgetis is luce coronæ.” One early writer terms them fratres, but whether he means fratres in blood, in confession, or fratres collegii does not clearly appear.

From Ars Quatuor Coronatorum, Vol. 1

As is well-known, the Sarum Missal of the 11th century gives the names as in the Arundel Hagiology, but the names vary much in different legends and service books. Some of these differences are no doubt scribal errors, and some attest remarkably the variability and the uncertainty of tradition. For instance we find Castulus, Semphorianus, Christorius, Significanus, Clemens, and Cortianus, all applied to some of the nine. In some MSS. the five are found, not the four; in some, the four are mentioned, not the five. Nothing can be decided from such mutability of the legend, or even safely argued.

In one of the Steinmetz Constitutions, they are simply described as Claudius, Christorius, and Significanus, while in the beautiful illumination from the Isabella Missal, four only appear—with the emblems of Craft Masonry one and all: the square, the plumb rule, the trowel, and the gavel—though five are mentioned in the commemoration prayer, Simphorianus, Claudius, Castorius, Simplicius, and Nichostratus. This is explained in the Arundel legend by the fact that Simplicius was not one of the original four, but being a fellow-workman and secretly desirous of becoming a Christian, he was baptized by Quirillus, the Bishop, and so suffered martyrdom with the other four.

It may be observed here, that the legend is in itself purely Italian in its inception, though it has spread probably with the Craft Lodges into Germany, Gaul, and Britain.

There are several old Acta and Gesta Quatuor Coronatorum and several special Legends, Martyrologies, and Hagiologies, of the Coronati, and the subject still requires study and illustration, as no doubt many valuable similar MSS. remain unknown and uncollated in the Vatican Library, and the greater libraries, and even private collections of MSS. To Mr. J.0. Halliwell Phillipps, the English Craft owes its introduction to this most ancient legend and valuable link between the Freemasonry of the past and the Freemasonry of the present, as contained in the “Masonic Poem.”

The Arundel Legend is taken from a fine MS. of the 12th century, in the British Museum. Its proper reference is Ar : MSS., 91, f 2186. There is another copy of the legend in the British Museum, Harleian MSS., No. 2802, f 99. There is also a short notice of the Quatuor Coronati in Regius MS., 8, c, 7 f 165, of the 14th century.

In the Harleian MS., 2082, Simphorianus is given as Simphronius; in the Regius MS., the names are as in the Arundel, but in different sequence.

In Alban Butler’s Lives, the Four Crowned Martyrs are named Severus, Severianus, Carpophorus, and Victorinus; and he adds, “five other martyrs called Claudius, Nicostratus, Symphorianus, Castorius, and Simplicius, who had suffered in the same persecution are buried in the same cemetery.” — A. F. A. Woodford

The following biography of Woodford also comes from this first AQC volume.

Rev. Adolphus Frederick Alexander Woodford, born in 1821, gazetted Christmas Day, 1838, Ensign and Lieutenant Coldstream Guards, retired in 1841, matriculated at Durham University 1842, took B.A. degree and License of Theology in 1847, and M.A. degree some years after. Ordained Deacon in 1846, curate of Whitburn, near Sunderland, 1846-47, ordained priest July 1817, and in the same year presented to the Rectory of Swillington, Leeds, which he resigned in 1872. In 1852 he was Chaplain to Sir John Lowther, Bart., as High Sheriff of Yorkshire.

Initiated in the Lodge of Friendship, Gibraltar, No. 278, in 1842, and subsequently joined the following Lodges—Marquis of Granby, Durham, No. 124, in 1842, W.M. in 1844 and 1845; Philanthropic Lodge, Leeds, No. 304, in 1854, W.M. in 1858 and 1859; and Lodge of Antiquity, London, No. 2, in 1863, D.M. in 1878, under H.R.H. the Duke of Albany. He was exalted in Concord Chapter, Durham, No. 124, in 1848; joined the Philanthropic Chapter, Leeds, No. 304, in 1863, and its first Z.; and St. James’ Chapter, London, No. 2, in 1874, Z. thereof in 1882. Appointed Provincial Grand Chaplain of Durham in 1847, Provincial Grand Chaplain, West Yorkshire, 1860, and Provincial Grand Senior Warden, 1857, and finally Grand Chaplain of England in 1863.

Was first Chairman of the West Yorkshire Charity Committee from 1859-1870. He has been a constant contributor to the Masonic press, few names being better known than “Masonic Student,” one of his many noms de plume, and was the editor of the London “Freemason” and of the “Masonic Magazine,” from 1873 to 1886; and the author of Kenning’s Cyclopoedia, “Defense of Freemasonry,” “The Sloane Manuscript,” and other works—as well as of the learned introduction to Hughan’s Old Charges of the British Freemasons.

Bro. Woodford would die in 1887, so he didn’t see AQC Vol. 1 brought to fruition. He is one of the stars of this book, having written a variety of items in its pages, including an English translation of the legend from that Arundel Manuscript’s Latin. His name probably is familiar to you Rosicrucians, as he was among the organizers of the HOGD.

In closing, I just want to explain that a big part of my laughter at the silly notion of Templar origins of Freemasonry derives from my wish for more Masons today to learn about the Four Crowned Martyrs and thereby appreciate the connection that stonemasons Claudius, Castorius, Simphorianus, and Nicostratus have to us. I’m not at all against embracing Christian history and legend, I just think what we choose to believe ought to make some sense because Masonic Templarism is fallacious.

     

‘What you do not understand you must darken’

    

On this date in 1887, Quatuor Coronati Lodge 2076 in London installed its officers. (The eighth of November is the Feast Day of the Four Crowned Martyrs.) Bro. Robert Freke Gould, the Worshipful Master, delivered the address for the occasion.

Excerpted:

Our London lodges are, to a great extent, select and expensive dining clubs; and in the Provinces—with but here and there a solitary exception to the almost general rule—though the feasting is on a more reduced scale, the entire instruction communicated to inquiring brethren consists of a smattering of ritual and ceremonial.

Of English Masonry, it has been said and not without great show of reason, that it now only retains the shell, which our German brethren possess the kernel.

Lodges of Instruction (so-called) exist, it is true, but these oracles are dumb when a question is asked which soars beyond the mere routine duty of the various officers of Lodges, in and during the ceremonies of the Craft. Indeed, I might go farther, and say that when in rare cases a reply is vouchsafed, it savors of the teaching of the Bologna school of painters, whose representative—Annibal Carraci—once said to a scholar: “What you do not understand you must darken.”

One, and perhaps the most urgently needed requisite, to a true study of Freemasonry, is a series of papers or lectures of an elementary character, each one dealing on broad historical lines with a particular epoch, carefully avoiding technicalities, moot or disputed points, and above all steering clear of theories.

Of theory, indeed, it has been well said, that it is worth but little unless it can explain its own phenomena, and it must effect this without contradicting itself; therefore the facts are but too often assimilated to the theory, rather than the theory to the facts. Most theories may be compared to the grandfather of the Great Frederick (of Prussia), who was in the habit of amusing himself, during his fits of gout, by painting likenesses of his grenadiers, and if the picture did not happen to resemble the grenadier, he settled the matter by painting the grenadier to the picture.

N.B.: While I don’t know what Gould means by his reference to German Masonry, I will point out how the Legend of the Four Crowned Martyrs, whence Quatuor Coronati derives its name, was the dominant folk tale for Germany’s Steinmetzen, but not to Masons in the British Isles. True, it is found in the Regius Manuscript, but not in any other Gothic Manuscript, whereas it is noted in the German Constitutions of 1459, and in the Torgau Ordinances of 1462.

    

‘Another Feast Day’

Mustn’t let the day end without noting how the eighth of November is the Feast Day of the Four Crowned Martyrs.

The feast days celebrated in Freemasonry are those dedicated to St. John the Baptist (June 24) and St. John the Evangelist (December 27), but there are others that have a historical significance to the Masonic Order, even if rarely acknowledged or understood.

What connects the Four Crowned Martyrs to Freemasonry is the first of what are called the Old Charges, a corpus of about 130 manuscripts that state Masonic principles or other defining characteristics, like ritual elements, and that date between c.1390 and c.1710. That first manuscript goes by two names: the Regius Poem (or Regius Manuscript) and the Halliwell Manuscript. It is believed to be the work of two monastic scribes, and is said to date to anywhere between 1390 and 1450. Its two names derive from the fortuitous circumstance of its discovery, which I’ll describe below.

But first, what makes this document unique among Old Charges is that it is written in verse, and that it is written in a form of English known from the 1400s.

To that I would add only that the word “mote,” as in “so mote it be,” which Masons say in affirmation of prayer, is found at the end of this poem in a rhyming pair of octameter lines:

“Amen! Amen! So mote it be!
So say we all for charity.”

The entire poem of 794 lines, in its original language and in modern English, can be read here.

This “poem of moral duties” was unknown for centuries, being included among the many documents in the library of noted collector Charles Theyer. This library became owned by King George II, who turned it over to the British Museum in the mid 18th century where it became part of the King’s Library (ergo the name Regius Poem/Manuscript). It was discovered, studied, and, in 1840, published by James Halliwell (ergo the name Halliwell MS), who, although not a Freemason, recognized its significance to the Masonic Order.

A remarkable turn of events.

But who were the Four Crowned Martyrs?

Like so much in Freemasonry that frustrates the seeker of knowledge, there is no single definitive answer to that question. Instead there are two legends that differ in details but speak essentially a similar story. The Catholic Encyclopedia says:

The old guidebooks to the tombs of the Roman martyrs make mention... of the Four Crowned Martyrs (Quatuor Coronati), at whose grave the pilgrims were wont to worship. One of these itineraries, the “Epitome libri de locis sanctorum martyrum,” adds the names of the four martyrs (in reality five): “IV Coronati, id est Claudius, Nicostratus, Simpronianus, Castorius, Simplicitus.”

These are the names of five martyrs, sculptors in the quarries of Pannonia (now a part of Austria-Hungary, south-west of the Danube), who gave up their lives for their faith [during] the reign of Diocletian. The acts of these martyrs, written by a revenue officer named Porphyrius, probably in the fourth century, relates of the five sculptors that, although they raised no objections to executing such profane images as Victoria, Cupid, and the Chariot of the Sun, they refused to make a statue of Æsculapius for a heathen temple. For this they were condemned to death as Christians. They were put into leaden caskets and drowned in the River Save. This happened towards the end of 305.

The foregoing account of the martyrdom of the five sculptors of Pannonia is substantially authentic; but later on a legend sprang up at Rome concerning the Quatuor Coronati, according to which four Christian soldiers suffered martyrdom at Rome during the reign of Diocletian, two years after the death of the five sculptors. Their offence consisted in refusing to offer sacrifice to the image of Æsculapius. The bodies of the martyrs were interred at St. Sebastian and Pope Melchiades at the third milestone on the Via Labicana, in a sandpit where rested the remains of others who had perished for the faith.

Since the names of the four martyred soldiers could not be authentically established, Pope Melchiades commanded that, the date of their death (8 November) being the same as that of the Pannonian sculptors, their anniversary should be celebrated on that day, under the names of Sts. Claudius, Nicostratus, Symphorianus, Castor, and Simplicius....

On a closing note, on this date in 1884, the United Grand Lodge of England organized the first lodge of Masonic research and education in the world. The creation of Quatuor Coronati Lodge No. 2076 coincided with the birth of the science of history – that is, the regard for factual accuracy determined by scholarly research that is reviewed by peers.

And the rest is history.