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The American Lodge of Research’s greatly anticipated visit to Saugerties is near. Be there Saturday, May 30 at Ulster Lodge 193 when we will join forces with the local Rose Croix chapter for a day of Masonic learning.
The Magpie Mason is an obscure journalist in the Craft who writes, with occasional flashes of superficial cleverness, about Freemasonry’s current events and history; literature and art; philosophy and pipe smoking. He is a Past Master of both The American Lodge of Research in New York City and of New Jersey Lodge of Masonic Research and Education 1786; and also is at labor in Virginia’s Civil War Lodge of Research 1865. He is a past president of the lamented Masonic Society as well.
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| A&A Rite |
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| The history of the Rite. |
“the Order’s current stance fails to reflect the Christian—and Masonic—need to be loving towards all and to treat one another with equity. To that end, the Council has come to the unanimous conclusion that the requirement to profess the Trinitarian Christian faith should no longer be a requisite of admission to this Order, which strives to be reflective of a modern, inclusive society. In the Council’s view, to remove the restriction is the Christian thing to do. There are many good people prevented from experiencing the Higher Degrees of Freemasonry, who would enjoy membership and who would be assets to our Order; there is no reason why they should not join if they wish, provided they are willing to strive to uphold the Christian ideals of faith, hope and charity exemplified by the life and teachings of Jesus, so beautifully represented in the 18°.”
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| The Passion Cross Banquet Table at the Feast of the Paschal Lamb hosted by New York City Chapter of Rose Croix March 26 at Masonic Hall. |
| The Feast of the Paschal Lamb borrows from the lessons of both Passover and Easter for a distinct Masonic experience. |
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| Courtesy halfwheel.com |
At first appearance, the Illusione Singularé 2013 Rose Croix doesn’t offer any over the top embellishments or visual traits that make it standout, but that is in fact what makes it such an appealing cigar. It is a gorgeous shade of brown: what I would describe as between a colorado rosado and colorado maduro, with a good bit of sheen and some toothiness. The veins are prominent and the roll isn’t perfectly smooth, allowing for a bit of give when squeezed while also showing the occasional firm spot. The band is the same one that has been used on previous Singularé releases, white and silver with a black EL on the backside indicating that it is a limited edition. The pre-light aroma coming off the foot is slightly sweet, with notes of cherry and a touch of cinnamon stick at first impression, with a bit of leather in the background. The cold draw on two of the cigars is much too easy and shows hardly any resistance, while the other two are much more dialed in. Both deliver notes of chocolate with just the slightest hint of pepper, and even a touch of mint was found.
The first puffs are smooth with a pinch of white pepper and allow for an easing into the Illusione Singularé 2013 Rose Croix, but it only takes a few more and both some sweetness and more pronounced pepper notes start developing and the cigar begins to show itself. The first retrohale has plenty of pepper but manages to remain enjoyable, though in measured amounts. The burn line starts to go a bit askew in the first inch, while smoke production is average at its lowest levels and picks up from there. Notes of leather and wood are subtle but present on the palate while the pepper notes tend to grab most of the attention—particularly in the nose—yet are far from overpowering, earning this cigar a mild-plus or medium-minus rating as far as strength in the early going. It is very clean and balanced, almost to the point of being refined beyond what most tobacco tends to deliver. The intensity of the flavors begins to back off in preparation for the second third, remaining present but subdued and drawing the senses into them as opposed to reaching out for them.
The Illusione Singularé 2013 Rose Croix mellows out quite noticeable at the beginning of the second third, which allows for a resting and clearing of the taste buds and olfactory receptors. The nose is the first thing reengaged by the cigar, with a fairly light note of warm wood wafting off the cigar as it rests, followed by a touch of sweetness on the tongue and an increasing creaminess. It’s just a bit doughy at first before returning with a more pronounced wood note and very gentle pepper, giving it a mild-medium body and strength. Past the midway point, there is an increased amount of pepper on the retrohale and is now much tougher to retrohale just the smallest amount of smoke. The smoke seems to add just a touch of thickness as it moves into the second half, while the burn line has gotten itself corrected and is burning much straighter and evenly.
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| Courtesy halfwheel.com |
The final third proved to be the one with the most differing results. Among all four cigars, a very distinct but mild leather note starts to come out in the cigar’s aroma at the beginning of the final third, which starts to slowly morph into a chewy, chalky note that takes the burn line to the band. However, when it’s time to take the band of the Illusione Singularé 2013 Rose Croix off, things finish in a number of different directions. On the first cigar, a new note comes along that combines just the slightest bit of toasted wood with a thick, cherry sweetness that shows off a completely new side of the cigar. On another, it was just a touch sour and didn’t have any sweetness. Two cigars presented a much more vibrant wood note, almost sharp on the tongue that again hadn’t been found previously. The final third will either seal the deal that this cigar is a winner or leave you questioning its final approach, an unfortunate and unpredictable way end to what had been a fantastic cigar otherwise.
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Courtesy A&E
Ms. Jenny Grumbles, star of A&E’s Storage Wars: Texas series. |
| Courtesy masoniccollection.co.uk |
Facing Independence Hall is George Washington, standing in one of only five public squares
planned in William Penn’s 1682 survey of Philadelphia.
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| “Freedom is a Light for which many men have died in darkness” is the main inscription on the Tomb of the Unknown Soldier in Washington Square Park in Philadelphia, Pennsylvania. |
“Patriotism, willing to sacrifice itself for the common good, even when neither thanks nor honor follow it; that asks not whether that which the country requires will or will not be popular, but does the right without regard to consequences. Let there be Light!”
| Facing Independence Hall is George Washington, standing in one of only five public squares planned in William Penn’s 1682 survey of Philadelphia. |
| “Freedom is a Light for which many men have died in darkness” is the main inscription on the Tomb of the Unknown Soldier in Washington Square Park in Philadelphia, Pennsylvania. |
“Although the crook and the flail were most often represented as emblems of the god Osiris, they were also carried on some ceremonial occasions, besides the coronation, by the reigning pharaoh. Very occasionally the crook was held by viceroys of Nubia and also by viziers. A painted scene of tribute from Asia in the tomb of Tutankhamun’s viceroy of Nubia, Huy, shows the king holding both the crook and flail in his left hand and the sign for ‘life’ (ankh) in his right, while the viceroy holds a crook, but no flail, in his left hand and a single ostrich plume in his right. Only rarely is the flail shown in the hands of priests or officials and such instances are limited to scenes of royal jubilee festivals. Notwithstanding these sporadic exceptions, the crook and the flail were essentially Osirian emblems, though possibly not so in origin. Osiris is believed to have acquired them from Andjeti, the local god of a town in the Delta named Djedu, who was represented in human form with two feathers on his head and holding the crook and flail in his hands. At a very early date in Egyptian history Osiris absorbed Andjeti and adopted his insignia. Osiris, however, was regarded not only as a god, but also as a deified deceased king and consequently his insignia, particularly the crook and flail, were treated as symbols of royalty.It is not difficult to imagine how a shepherd’s crook could have acquired the symbolical significance of rulership. Its name in Egyptian is heqat and the most common word for ‘ruler’ is heqa. Not unnaturally it has been compared with the crosier, the Christian pastoral staff. A flail (called nekhakha), however, seems out of character for a kindly and beneficent god like Osiris, and for this reason some authorities prefer to regard it as a ladanisterion, a flail-like instrument used until the present day by shepherds in the Mediterranean region and elsewhere for collecting ladanum, a gummy substance excreted from the leaves of the cistus plant. According to classical writers, it was used in the preparation of incense and unguents. This suggestion, proposed by the late Professor P.E. Newberry who helped in the clearance of Tutankhamun’s tomb, is plausible, but, as yet, there is no clear evidence that the cistus plant grew in Egypt in pharaonic times.”
| Hanging in the Hall of Scottish Rite Regalia inside the House of the Temple in Washington are 36 oil paintings by Robert H. White, 32°. Shown here is 18th Degree: Knight of Rose Croix which depicts the apron, collar, and jewel of the degree. Read about its symbology here. |
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