‘Sacred Spaces at MOBIA, Part II’

     

Dr. Klaus Ottmann and artist Tobi Kahn at the Museum of Biblical Art in New York City Thursday night. Ottmann lectured on ‘Faith, Spirituality and Sacred Spaces in Contemporary Art,’ the last of three lectures offered in connection with MOBIA’s exhibit of Kahn’s work ‘Sacred Spaces for the 21st Century’ which closes on Sunday.

‘Portrait of the Artist Studio
as Spiritual Space’

Thursday night, the Museum of Biblical Art hosted the final of three lectures addressing the topic of sacred spaces in conjunction with its exhibit of artist Tobi Kahn’s work titled “Sacred Spaces for the 21st Century.” Our teacher, Dr. Klaus Ottmann, brought the lecture series full circle; what began last month with a discussion of the evolution of sacred spaces from Temple-era Israel through the Renaissance and into modern times, concluded here with Ottmann defining the artist studio as spiritual space where philosophy, language, and religion are amalgamated in certain works of contemporary art.

Not the Magpie Mason’s field of expertise, which made the experience all the more fascinating. Furthermore, if my colleagues at the Rose Circle happen to read this, I hope they will jot down Dr. Ottmann’s name, and consider inviting him to speak at one of our conferences, where he can contribute much to the members’ stock of knowledge as he is a sound choice to discuss these matters.

Ottmann earned a Master of Arts degree in 1980 from Freie Universität in Berlin, and his Doctorate in Philosophy from the Division of Media and Communications at the European Graduate School in Switzerland in 2002. Today Ottmann serves as the Robert Lehman Curator for Parrish Art Museum in Southampton, New York and also teaches art history at the School of Visual Arts. A prolific author of books and catalogs, Ottmann also is editor-in-chief of Spring Publications, Inc., which publishes books on psychology, philosophy, religion, mythology, and art. One of its books is Ottmann’s translation (from German) of Gershom Scholem’s Alchemy and Kabbalah (2006).

He has curated more than 40 exhibitions including Life, Love, and Death: The Works of James Lee Byars at the Schirn Kunsthalle in Frankfurt, and the Museum of Modern and Contemporary Art in Strasbourg (2004), and Wolfgang Laib: A Retrospective, which traveled from Washington to five other museums around the world (2000-02). His recent curatorial projects include exhibits of Willem De Kooning and Chloe Piene; future shows of Rackstraw Downes and Jennifer Bartlett will open at Parrish Art Museum this year and next.

His curriculum vitae is extensive, and can be read here.

Ottman spoke too briefly yet managed to cover a variety of artists, the philosophers who inspired them, and the spiritual images created thereby. In only about 40 minutes, Ottman, taught us about more than half a dozen artists of the 20th century, and even one painter from 15th century Russia.


Ottmann began his talk quoting Immanuel Kant’s three fundamental philosophical questions:

What can I know?

What ought I to do?

What may I hope for?

His point was to explain that man seeks an ethical grounding in life. There are those who rely on meditation and prayer; others take to political activism; some look for fulfillment in material possessions. Their quest is for the inexpressible, what Ludwig Wittgenstein described as “running against the boundaries of language.” Or, as F.W.J. Schelling put it (Ottmann again quoting): “Each of us is compelled by nature to seek an Absolute.” (Ottmann also is the translator of Schelling’s soon-to-be published Philosophy and Religion.) This can lead to a harmonious, but deep, connection between religion and art. To wit: Chartres Cathedral, an almost limitless creation of material wonder (architecture, statuary, stained glass, etc.) that has become a destination for spiritual seekers of all kinds.

With these firm philosophical and artistic footings, Dr. Ottmann lead us forward into the fine arts, screening for us a few minutes of the film Andrey Rublyov (1966) by Andrei Tarkovsky, which tells the story of Rublyov’s torment over being hired to paint The Last Judgment inside a church, yet he cannot paint it, not wanting to “terrify people.” This 15th century painter of Orthodox icons is renowned for his Holy Trinity, which Ottmann credits as an example of art’s ability to link the present world to another world. “There exists an icon of the Holy Trinity, and therefore God exists as well.”

Fast-forwarding to 1950, Ottmann gave us Mark Rothko’s No. 10, an oil on canvas of his floating rectangles.

Left: Rublyov’s Holy Trinity (c.1410).

Right: Rothko’s No. 10 (1950).

Rothko’s favorite philosopher was Søren Kierkegaard, the 19th century Danish thinker who believed Christianity was better left to the individual believer who, if left free to worship, would seek the community of a congregation. (Such thinking put him at odds with the Danish National Church, the official state church.) His preference for the individual also is seen in writings about the patriarch Abraham. “Kierkegaard has that passion for the ‘I.’ For that ‘I’ experience, like Abraham in his Fear and Trembling,” said Ottmann, quoting Rothko. “It is the ‘I’ that I myself experience every day.”

No. 10 shows a few horizontal bars, but The Rothko Chapel in Houston is a modern work of specifically religious art. Perhaps most notably, this sacred space was not built to be a synagogue or church, but was commissioned by private individuals. “The Chapel has two vocations: contemplation and action. It is a place alive with religious ceremonies of all faiths, and where the experience and understanding of all traditions are encouraged and made available. Action takes the form of supporting human rights, and thus the Chapel has become a rallying place for all people concerned with peace, freedom, and social justice throughout the world.” Read more here.

Our next stop was New Mexico to visit the Dwan Light Sanctuary on the campus of the United World College. Curator Virginia Dwan, architect Laban Wingert, and artist Charles Ross collaborated to create an exceptionally unique sacred space. As one website puts it, the Sanctuary is:

“a space shaped by the Earth’s alignment to the sun, moon, and stars. Designed around the number twelve, the Sanctuary is illuminated by six prisms in each of two apses, and three prisms in each of four skylights. The prisms form broad ribbons of pure solar color that move in concert with the rotation of the Earth. Lunar spectrums can be seen on nights when the moon is full. A third apse, facing north, houses a square window. A line parallel to Earth’s axis extends from the center of the floor through the center of this window, and points directly to the North Star.”

Moving to France, we examined Yves Klein’s Blue Monochromes, which I think Dr. Ottmann said were six in number, and had been created for a chapel that in the end was not built. As MoMA’s website says:

“Monochrome abstraction—the use of one color over an entire canvas—has been a strategy adopted by many painters wishing to challenge expectations of what an image can and should represent. Klein likened monochrome painting to an ‘open window to freedom.’ He worked with a chemist to develop his own particular brand of blue. Made from pure color pigment and a binding medium, it is called International Klein Blue. Klein adopted this hue as a means of evoking the immateriality and boundlessness of his own particular utopian vision of the world.”

Then it was time for more film. Klein’s Anthropometries of the Blue Period (1962) combines music, blue paint, and nudes to create what Ottmann called “a theater of the flesh.” Referring to Klein several times as a Christian and Rosicrucian, our lecturer described the action in the film as an expression of the incarnation of The Word, and the resurrection of the body. The Word made flesh. I cannot find the same piece of film on the web, but this alternative gives you the idea. This clip is shorter than what we saw during the lecture, and what is most obviously different is the absence of the original music. Klein had his female models, the “human brushes,” do their work while a chamber orchestra with two vocalists performs a droning piece of music which sounded almost like a liturgical chanting, but with strings and woodwinds undertaking the work of a choir of baritones. Frankly, it gave the scene a nightmarish quality. (Also, the longer film we saw during the lecture offered a few quick glimpses at a jewel around Klein’s neck. Its red ribbon was plainly visible against his white tuxedo shirt, but the jewel itself seemed to escape the camera; to me it appeared to have had the shape of what we American Freemasons call a Most Wise Master’s jewel.)

Klein and Claude Parent collaborated on “Air Architecture” and their “Air Conditioned City” (1961). Rosicrucian symbolism abounds, as the elements Air and Fire again dominate Klein’s statement, his call for a new Eden.

Leaving Europe for India, our group looked at Wolfgang Laib and his Brahmanda (1972). Read Dr. Ottmann’s explanation here from last November.

For his Brahmanda, said Ottmann, Laib had discovered a large black rock, about three feet long, in India. He brought the rock home and carved it into a perfect oval shape called a “brahmanda.”  A Sanskrit word, “brahmanda” is defined as “cosmic spirit” + egg. “The embodiment of Brahma, particularly the solar system, physical, psychological, and spiritual; the ancient Hindus called Brahma “the cosmic atom. The idea is that this cosmic atom is ‘Brahma’s Egg,’ from which the universe shall spring into manifested being.”

Laib also is known for his “Fire Rituals.” Ottmann said Laib’s exhibition in Turin consisted of Vedic fire rituals, which included priests’ religious chants and the lighting of 33 fire altars on which ritual elements of fruits and vegetables, and other organic materials were burned. A very rare happening outside of India. These are celebrations of peace, prosperity, health, love, and other ethics and energies.

The Faith by Enrique Celaya, oil and wax on canvas, 2007.

Enrique Martinez Celaya, (born 1964) a Cuban-American artist, wants, said Ottmann, for “artists to be prophets again.” Marrying art, literature, philosophy, and science, this artist calls for art to show “ethical responsibility” with the artist/prophet, unlike the mystic who aims to leave this world for the next, returning to the world to spread his message.

The Magpie Mason could not help but smile when Dr. Ottmann projected the next painting onto the screen. Celaya’s Two Worlds (2007) unmistakably recalls the countless myths, legends, and religious stories that allegorically employ a river as, what Piers Vaughan might term, “a barrier between two states of consciousness.”

Two Worlds by Enrique Celaya, oil and wax on canvas, 2007.

The traveler, dressed unusually, crosses the water, heading toward Light, where life begins to bloom. Only one step away from completing his crossing, he appears to struggle to maintain his balance. It is “a spiritual and transcendent reminder of the ethical responsibility of the artist,” Ottmann explained which, for me, is an inspiring contrast to the hateful filth (e.g., Serrano, Ofili) that seems to garner the art world’s awards and grant monies.

Concluding his lecture, Dr. Ottmann urged us to consider the artist’s studio as spiritual space. Artists’ spaces are sometimes preserved, he said, not only for their historical significance, but for the idea of preserving the spirit of the artist. “There is so much concentration…. There is an aura.”

Magpie readers, please always remember that subjects such as this are complicated, consequently any errors above are attributable to me, and not to Dr. Ottmann.
     

Masonic relief for Haiti

     

Brethren from the Grand Orient d’Haiti at Alpha Lodge, 2009.

Brethren, the Masonic Service Association of North America will make an appeal today (January 14) for contributions to help, aid, and assist the survivors of the earthquake in Haiti, according to an e-mail just received from Executive Secretary Richard E. Fletcher.

The Magpie Mason respectfully suggests the brethren channel their giving through this single, organized resource. Whatever goods you may be shipping individually probably will not reach their intended destinations, as the destinations themselves may no longer exist, and looting is rampant. Similarly, monies transmitted via ad hoc fundraising drives might not be received in their entirety, whereas every penny received by the MSANA will go to relief in Haiti.

“To All Poor and Distressed Masons, wherever they may be, dispersed over the face of the earth or on the water, here’s wishing them a relief from their sufferings, and a happy return to their native land, should they so desire it.”

▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼

ADDENDUM:

MSANA’s appeal:

Appeal for Relief – HAITI

You’ve seen the destruction vividly portrayed by TV coverage. Much of Haiti is in ruins. All Haitians need assistance. Our Brothers in the Grand Orient D’Haiti desperately need assistance as they work with their communities in trying to rebuild their shattered lives.

Please forward to the MSA such funds as you feel appropriate to help our devastated Brethren and their families in this stricken jurisdiction. Please make checks payable to the MSA Disaster Relief Fund and send to:

8120 Fenton Street, Ste. 203,
Silver Spring, MD 20910-4785

Thank you very much for your help!

Most sincerely and fraternally,

RICHARD E. FLETCHER, PGM
Executive Secretary

▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼ ▲▼

English Freemasonry assists also:

Information Release by The Freemasons’ Grand Charity of the UGLE:

14th January 2010

£30,000 IN RELIEF FOR HAITI EARTHQUAKE

Following the devastating earthquake which took place in Haiti on Tuesday 12th January 2010, the President of The Freemasons’ Grand Charity has approved two emergency grants totaling £30,000. The funds have been issued to the British Red Cross and Plan.

The 7.3-magnitude quake, Haiti’s worst in two centuries, struck at 1653 local time (2153 GMT) on Tuesday. The epicenter was within 10 miles of the center of the densely-populated capital, where around one million people live. More than 50,000 people are feared dead.

The British Red Cross has been awarded £20,000 to assist with their relief efforts. Red Cross volunteers in Haiti are currently assisting the injured and supporting hospitals who do not have enough capacity to deal with this emergency. The most urgent needs at this time are search and rescue, field hospitals, emergency health, water purification, emergency shelter, logistics and telecommunications.

Plan has also been granted £10,000 in support of their efforts in dealing with the immediate aftermath of the disaster. Plan’s priorities are assisting children and their families and getting people into safe accommodation wherever possible, as well as working with survivors to help ease their psychological trauma.

     

‘Conspiracy!’

     
The Masonic Book Club has begun the new year with an announcement of its 2009 book offering: Proofs of a Conspiracy: Against all the Religions and Governments of Europe, Carried on in the Secret Meetings of Freemasons, Illuminati and Reading Societies by Professor John Robison. Magpie readers, if you ever wondered exactly how the surreal fears and outlandish speculations that have surrounded our gentle Craft for centuries were conceived, this book answers your curiosity.

Archived within the restricted access Rare Book and Manuscript Library on the sixth floor of the Van Pelt-Dietrich Library Center at the University of Pennsylvania in Philadelphia, is this fourth edition of Proofs of a Conspiracy: Against all the Religions and Governments of Europe, Carried on in the Secret Meetings of Freemasons, Illuminati and Reading Societies by Professor John Robison. The Magpie Mason had the good fortune to peruse this archive’s Masonic (and anti-Masonic) contents during a visit in 2007 with the Masonic Library and Museum Association. Sorry for the blurred image.

The MBC describes it:

“This book represents a good synopsis of the events it describes. It shows the frame of mind of the time. It is surely worth reading by everyone interested in this topic.

“Interestingly by the time this book was first published, the organization of Bavarian Illuminati was gone. Robinson was very much an advocate of science and rationalism, in later life, disillusioned by the French Revolution, he became an ardent monarchist.

“Robinson traced the story of the 1776 founding of the Illuminati by Adam Weishaupt, a professor at Ingolstadt and the suppression of the order by the royal and church authorities of Bavaria in 1785. However, his preaching against it raised the specter of conspiracy, which still hangs over the Illuminati.

“Nonetheless, this book makes fascinating reading, and in conjunction with other historical accounts of the French Revolution, helps put into perspective this period of history.

“John Robison (1739-1805) was a Scottish scientist who wrote one of the definitive studies of the Bavarian Illuminati. He was a contemporary and collaborator with James Watt, with whom he worked on an early steam car; contributor to the 1797 Encyclopedia Britannica; professor of philosophy at the University of Edinburgh; and inventor of the siren.”

What concerns me is the back-to-back books from the MBC on matters Illuminati. I just don’t think it is that fascinating a subject, or even significant enough to Masonic studies, to justify two consecutive books that concern the Illuminati. The 2008 choice from the MBC was reviewed by The Magpie Mason here, and I’m just hoping the same individual who brought that text to the publisher’s attention is not involved with this one also. (But I was amused to see the tiny blurb on the MBC website that markets the 2008 book lifts phrases directly from my review of last February.)

There are positive changes at the MBC that should not go unappreciated. After many years of incommunicado management that left prospective subscribers wondering for months if they had become members, the MBC now has this website, replete with an on-line store, PayPal payment option, and some information on when to expect delivery. The inventory of previous years’ selections is listed for your perusal, with each title priced fairly to equal a year’s dues. And speaking of dues, you can pay yours on-line. The MBC is now affiliated with the Illinois Lodge of Research’s Louis L. Williams Library, which has been a vendor of Masonic books and has maintained a web presence for some time. This alone says a lot about the direction the MBC is taking, and I wish them well. I’ve been a reliable cheerleader for the club since I joined, and I hope to remain so.

Just get the books into the mail, okay guys? You mentioned an October ’09 delivery.


Magpie edit: I just wanted to provide this link to today’s Boston 1775 blog concerning this topic. It’s a great blog. Bookmark it, and check in often.
     

‘The Art of Initiation’

     
The Rose Circle Research Foundation and Alexandria-Washington Lodge No. 22 of Ancient Free & Accepted Masons invite you to an inquiry into The Art of Initiation. On Wednesday, February 10 at the George Washington Masonic Memorial in Alexandria, Virginia, both societies will co-host a daylong event of lectures, ritual exemplification, dining, and more.

Piers Vaughan of the Rose Circle
Research Foundation.

Beginning at 4 p.m. in the Memorial’s North Lodge Room, the Rose Circle’s Piers Vaughan and Oliver Kruse will speak on the ritual, spiritual, and psychological aspects of initiation. Piers of course is the world renowned lecturer, translator of rare French texts, and Past Master of St. John’s Lodge No. 1 in New York City, among other things. Oliver is an 8º Swedish Rite Mason at labor in Zur Brudertreue im Ravensberger Land in Bielefeld, which is under the Great Land Lodge of Freemasons in Germany, within the United Grand Lodges of Germany. He too is very highly regarded the world over for his lecture work and translations of rare German texts.

After which, in the Grand Masonic Hall, our sponsor, Toye, Kenning and Spencer, Ltd., will host a reception to introduce their company of distinct regalia manufacturing to Freemasonry in the United States. TKS has been the maker of jewels and regalia to Britain’s royal family for nearly 300 years. Their Masonic regalia is worn all over the world, and in 2010 they enter the U.S. market.

At 7 p.m., Alexandria-Washington Lodge No. 22 will open its Stated Communication for the exemplification of the Entered Apprentice Degree in the Bristol ritual. The Bristol working is a unique Masonic ritual almost never seen outside England. (South Lodge Room.)

One description says:

“Bristol Masonry is unlike anything seen elsewhere in England. In the first degree alone one witnesses unusual ceremonies and hears statements which will surprise even the well-read Mason. Have you ever heard ‘the Nile, the Ganges, the Euphrates, [and the] Mississippi’ mentioned in an Entered Apprentice degree? How about ‘the immeasurable wilds of the scattered Indian tribes across the mighty Atlantic… the wandering Arabs, roaming tartars, or far distant Chinese?’ Have you ever seen the ‘circle of swords,’ the ‘cup of affliction,’ or the ‘writing test’ given to an Entered Apprentice? It is all here, and much more. As one of the most unusual rituals in the English language, Masons travel from all over the world to witness these fascinating ceremonies. Boasting what is probably the oldest Craft working in England, Bristol ritual retains aspects which are similar to the unpublished Irish workings, but also resembles Continental Masonry in some regards.”

After the degree exemplification, the brethren will retire to the Dining Room for a classic Festive Board.

Reservations for the Festive Board, featuring a catered dinner, are requested. Please write to the Senior Steward of Alexandria-Washington Lodge No. 22 at

reservations@aw22.org

to say you’re attending, so heads can be counted, and all guests can be accommodated comfortably.

There is no charge for dinner, but donations of $10 (or more) will be appreciated.

Shuttle bus service will be available to take you to and from the Alexandria Mark Hilton beginning at 3 p.m. Make sure you catch that first bus to ensure you do not miss any of the program beginning at four o’clock.

Whether you are traveling to Alexandria for Masonic Week, or if you are local to the area, there will be no Masonic event more worthy of your time on this Wednesday than this occasion.

Look for us on Facebook as The Art of Initiation, or feel free to send questions and comments to The Magpie Mason in the comments section of this blog.

Photo of altar courtesy of Alexandria-Washington Lodge No. 22, AF&AM, Alexandria, Virginia.
     

‘Can Masonry cure insomnia?’

     
No, I don’t mean boring meetings.

Insomnia grips the Magpie Mason this time of year. Not even my midnight brandy helps anymore. (Don’t hurt either, so I ain’t giving it up.) To pass the hours leading up to my morning constitutional of steak & eggs, coffee, tobacco, I read. On one of the final nights of 2009 I chose to revisit a great book that I read upon its publication in 1992, while still a university student who knew that good writers read great writers. Ergo my limitless appreciation for Joseph Mitchell.

Mitchell (1908-96) wrote for The New Yorker from the 1930s to the ’60s. He remained on staff for decades thereafter, still on the payroll without actually producing anything, which I suspect is the unspoken goal of a lot of writers. I planned on devoting a paragraph to describing his work, but this obituary anticipates what I was going to say.

But back to the book: Up in the Old Hotel is an anthology of Mitchell’s most famous journalistic essays. In fact, it is a compilation of several of his previous books, which themselves consisted of his three dozen best written, most known feature stories. “The Old House at Home,” his 8,200-word paen to McSorley’s Old Ale House published in 1940 begins the book. I was hooked. (McSorley’s is one of my favorite places on earth. An honorary Irish-Catholic, my affinity for this establishment could be called atavistic.)

Don’t let the sepia fool ya. This photo was taken last November 9, when I had the good fortune to have lunch with a large group of Masons at this historic establishment.

So I’m up this morning reading. The story is titled “Mr. Hunter’s Grave” and, true to Mitchell’s method, it is a high def portrait of an eccentric New Yorker who is invisible amid the cityscape, yet king of his own corner. Mitchell’s New York City doesn’t really exist anymore. The highways built during the 1950s, the poverty of the ’60s, the chaos of the ’70s, the redevelopment in the ’80s, and the Giuliani Revolution in the ’90s all played their roles in eradicating nearly every semblance of what might be termed Old New York. Mother Bloomberg isn’t helping either. Being prohibited by law from smoking my Peterson inside McSorley’s is a hate crime.

But I digress.

I actually was starting to get sleepy a few hours ago, but I didn’t want to leave Mitchell just walking up Bloomingdale Road in Staten Island by himself. I read on, but what is very strange – and in fact is the reason I’m writing this – is that some supernatural instinct was telling me our Mr. Hunter is a Brother Mason. One stranger speaking to Mitchell describes him thusly:

“The man to speak to is Mr. George H. Hunter. He’s chairman of the board of trustees of the African Methodist church. I know Mr. Hunter. He’s eighty-seven years old, and he’s one of those strong, self-contained old men you don’t see much any more. He was a hard worker, and he retired only a few years ago, and he’s fairly well-to-do. He’s a widower, and he lives by himself and does his own cooking. He’s got quite a reputation as a cook. His church used to put on clambakes to raise money, and they were such good clambakes they attracted people from all over this part of Staten Island, and he always had charge of them. On some matters, such as drinking and smoking, he’s very disapproving and strict and stern, but he doesn’t feel that way about eating; he approves of eating. He’s a great Bible reader. He’s read the Bible from cover to cover, time and time again. His health is good, and his memory is unusually good. He remembers the golden age of the oyster business on the South Shore, and he remembers its decline and fall, and he can look at any old field or tumble-down house between Rossville and Tottenville and tell you who owns it now and who owned it fifty years ago, and he knows who the people were who are buried out in the Sandy Ground cemetery – how they lived and how they died, how much they left, and how their children turned out. Not that he’ll necessarily tell you what he knows, or even a small part of it....”

I suppose some neuron encoded with the memory of this story from 18 years ago might have somehow sparked in my brain the notion that Mr. Hunter is a Freemason, which is very unlikely because I had only a general curiosity about Masonry at that time. Nor is it as though this book is full of Masonic references. A 10-page exploration of what used to be called “The New York Steak Dinner” (1939) makes one quick reference to Mecca Temple. The famous piece about Joe Gould (1964) describes a chapter of the putative “Oral History” of which Mitchell reports: “Gould’s father had belonged to the Universalist Church and the Masons, and his funeral service had been conducted jointly by the pastor of the local Universalist church, and the chaplain and the Worshipful Master of the local Masonic lodge.”

I guess my hunch had a lot to do with Hunter’s characteristics, as explained above, but it was a strong bodement. I felt compelled to continue and confirm.

Et voilà.

“On another wall was a framed certificate stating that George Henry Hunter was a life member of St. John’s Lodge No. 29 of the Most Worshipful Prince Hall Grand Lodge of Free and Accepted Masons. While I was looking at this, Mr. Hunter came into the room. ‘I’m proud of that,’ he said. ‘There’s several Negro Mason organizations, but Prince Hall is the biggest, and I’ve been a member since 1906. I joined the Masons the same year I built this house. Did you notice my floors?’ I looked down. The floor boards were wide and made of some kind of honey-colored wood, and they were waxed and polished. ‘Virgin spruce,’ he said. ‘six inches wide. Tongue and groove. Built to last. In my time, that was the idea, but in this day and time, that’s not the idea. They’ve got more things nowadays – things, things, things: kitchen stoves you could put in the parlor just to look at; refrigerators so big they’re all out of reason; cars that reach from here to Rossville – but they aren’t built to last. They’re built to wear out. And that’s the way people want it.’ ”

He is speaking in 1956!

Rest in peace, Bro. Hunter. Requiem in pacem. But now it’s time for breakfast.

Journalist Joseph Mitchell on the waterfront he loved so much.

Here is an interview of Roger Angell and David Remnick on Charlie Rose upon the death of Mitchell in 1996. There is mention of the story Mitchell wrote of Bro. Hunter.
     

‘An everyday hero from long ago’

Before getting too far into 2010, The Magpie Mason aims to report on several recent events from last year, playing catch up by bringing you “The Best of the Rest.”

Freemasonry in the United States often draws upon our country’s Colonial and Revolutionary histories for inspiration, especially here in the Northeast. We’re criticized for it, and maybe justly too, because the love of history does trump the need for esoterica when it’s time to do the work of Masonry. But the reality is, our landscape is abundant with sites associated with America’s Founding, and this matters to many of us. We live here. At the Valley of Northern New Jersey, we find ourselves geographically almost exactly between West Point and Trenton, and somewhat equidistant from Newark in the east, and Morristown to the west. Very fertile ground for history buffs, a fact that does not escape Freemasons here.

(This was on full display on October 31, when New Jersey Consistory conferred the 20°, titled “Master ad Vitam.” This degree, set inside a Masonic lodge in 1780, dramatizes Brother Washington’s investigation into Bro. Benedict Arnold’s treason at West Point. You know the historical Arnold story well. The degree was worked at the appropriately named Loyalty Lodge No. 33, which previously had been Washington Lodge No. 33, located in the Township of Union. Its surrounding neighborhood consists of streets named for practically every famous patriot hero of the American Revolution, and in fact the area had been involved in the Battle of Springfield, which was waged only about two weeks before Arnold’s treason. Loyalty Lodge was not chosen to be the location of the degree for these reasons. It just worked out that way.)

The December 1 meeting of Northern New Jersey Lodge of Perfection featured the visit of a historical figure who is both common soldier and somewhat of an immortal hero. Joseph Plumb Martin fought in the Revolution from its earliest days through the final battle in 1783. Not a general, but an enlisted man and later a sergeant in the Continental Army who was eyewitness to history, Martin traveled for many years after the war, giving lectures to citizens eager to hear “what it was really like” from one who knows firsthand. He participated in the battles of Brooklyn, White Plains, and Monmouth, among others. He was at Valley Forge, which he was quick to point out was not nearly as grueling as the winter of 1779-80 that he spent encamped at Morristown, where the snow reached eye level, and food was rarely provided. He also was at Tappan to see Major John André escorted to his execution for his role in the Arnold affair. Even this event has its Masonic connection, as Magpie readers know.

Martin’s wartime diary has been in print for generations, sometimes under the title “Yankee Doodle Boy,” and relates his first-hand accounts of a soldier’s life. He died in 1850, at age 89.

Well, let me begin at the beginning. Of course there is no necromancy in Freemasonry. Our guest lecturer was Mr. Eric Olsen, Park Ranger and historian at Jockey Hollow National Park in Morristown, who brought Martin to us for the evening. Speaking in detail about life in an army that suffered deprivation, desertion, and desperation, Martin told a lengthy story of both harrowing experiences and stretches of tedium, but also related a number of anecdotes revealing the lighter side of a soldier’s life during the Revolution. On the frightening side was the Battle of Mud Island. Located in the Delaware River between Pennsylvania and New Jersey, Mud Island’s Fort Mifflin and New Jersey’s Fort Mercer were crucial strategic points for cutting off the British who occupied Philadelphia. In October of 1777, British and Hessian forces that outnumbered the Colonial troops by 3:1 attacked. They lost. Where the Americans suffered 37 killed or wounded, the British-Hessian forces lost nearly nine times that, plus an additional 60 captured, and their commanding general died of his wounds. So soon after the loss of Philadelphia, this victory was a great boost to the Continental Army’s morale.

It has been all but forgotten by history, a development Martin attributes to the absence of any famous generals.

Attired in period garb, Martin explained the manufacture of his clothing and the purpose of his equipment, going as far as demonstrating the superiority of the bayonet over a sword in close combat... against the wife of one of our Past Masters. He explained how a soldier evaded punishment for playing cards by explaining to his superior officer that a deck of cards can be read symbolically as a prayer book or other aid for spiritual observance.

The ace represents the One True God. The deuce recalls the division of the Bible into two parts: Old and New Testaments. The three denotes the Holy Trinity. Four? The four evangelists of the Gospels, &c., &c.

The Magpie Mason, always looking for a Masonic angle to historical matters and knowing how American-Union Lodge was active at Morristown and elsewhere in Martin’s travels, asked Sgt. Martin if he had the chance to join a lodge.

“Oh, no. I know nothing of your arts and mysteries,” he replied, illustrating with his hands what he thought a grip might look like. In his experience, only the officers were initiated into the fraternity, he explained, adding that he was aware of the celebration on December 27, 1779 of the Feast of St. John the Evangelist at Morristown with General Washington in attendance. Martin surprised me with his knowledge of the affair, saying that he had learned that the traveling military lodge had sent to a lodge in Newark for the necessary Masonic paraphernalia for the lodge meeting. And in fact, in the annals of New Jersey Masonic history it is recorded that St. John’s Lodge No. 1, Ancient York Masons, in Newark had sent officers regalia and other lodge items to the encampment at Morristown for the occasion.


There is a lot more “Best of the Rest” of 2009, including the rededication of the Daniel D. Tompkins gravesite in New York City, and Fairless Hills Lodge’s banquet in Pennsylvania, both from November; and other memorable events, like the famous 1760 EA Degree from way back in September! I’ll try to get to them soon.

‘2010 at the George Washington Masonic Memorial’

At the meeting on Tuesday night of Northern New Jersey Chapter of Rose Croix, John S. Ryan, 33°, a member of the Board of Directors of the George Washington Masonic Memorial, will discuss the latest news from the Memorial, which celebrates its centennial next month.

Like the Scottish Rite Masonic Museum and Library (see below), 2010 evidently is a year to bring a few new ideas to fruition. The following is a statement from Executive Director George Seghers:

On February 22, 1910, George Washington’s 178th birthday, Masonic leaders from across the nation met in Alexandria, Virginia and formed an association for the purpose of building a great memorial to honor America’s foremost Freemason. February 22, 2010, the 100th anniversary of the founding of the George Washington Masonic National Memorial Association, will be a day of great festivities. In honor of the occasion, the Conference of Grand Masters of North America, hosted by the Grand Lodge of Virginia, will be held in nearby Arlington. Delegates will attend the Association’s Annual Meeting and celebrate the 100th anniversary and Washington’s 278th birthday at the Memorial.

At the Annual Meeting, a new portrait of George Washington as a Freemason will be unveiled. Painted by local artist Christopher Erney, the portrait will be a new interpretation of Washington. Prints of the portrait will be available at the meeting. Complementing the portrait is a new video presenting George Washington as the inspiration for the founding of America and explores the creation of the George Washington Masonic National Memorial Association. Underwritten by the Masonic Charity Foundation of Oklahoma, it will be available on DVD and as a download from the Memorial’s website for Masonic education.

The Memorial’s new logo to commemorate the occasion was also designed by Erney. Since its inception, the George Washington Masonic National Memorial Association has used as its logo the Washington family crest with a Masonic square, compasses and “G,” with the motto “In Memoriam Perpetuam.” For a new century of service, a new logo has been created, keeping the same elements, it enhances the Association’s Masonic identity. Artist Christopher Erney began his design by enlarging the Washington family crest, making it the focus of the seal, and recreating the Masonic symbols carved into the Memorial’s cornerstone, laid in 1923. The cornerstone was laid by then president Calvin Coolidge, and every U.S. Grand Master, using the same trowel as used by Washington at the U.S. Capitol.

The new design replaces the foliage that surrounded the crest with tools, emblems and symbols of Freemasonry. On either side of the crest are pillars representing Jachin and Boaz, which are topped with terrestrial and celestial globes representing Freemasonry’s universality. Acacia vines of remembrance encircle the pillars. Complementing the globes is the sun in its glory above and the crescent moon below. Connecting the two lesser lights as the crest’s border is a cable tow. At the right, pomegranates represent abundance; on the left a sheaf of wheat represents wealth. Within the wheat are five of six working tools. The sixth, the Square of the Master, is found resting upon Washington’s crest. The new logo is now the Association’s trestleboard to labor “In Memoriam Perpetuam.”

Following the Annual Meeting, the International Order of DeMolay will rededicate the colossal bronze statue of George Washington in Memorial Hall and reaffirm the role of DeMolay young men in Freemasonry. The statue was a gift to the Memorial from the DeMolay, and 2010 marks the 60th anniversary of its unveiling by President and Past Grand Master Harry S. Truman.

On display during the celebration will be the trowel and gavel used at the 1793 Cornerstone Laying of the United States Capitol by George Washington, and the 1752 Fredericksburg Lodge No. 4 Bible upon which the young Washington took his Masonic obligations.The new White House Stones Exhibit will be inaugurated at the celebration. Each stone in the exhibit is marked by one of the Scots Masons who helped build the White House in the 1790s. The stones were discovered during the restoration of the White House during the Truman presidency. Truman had the stones labeled, and one was sent to each Grand Lodge and other Masonic organizations. The exhibit reassembles nearly 50 stones, and includes minute books from Lodge No. 8 of Edinburgh recording the stonemasons’ marks, noting those who had “gone to America.” A matching minute book of Federal Lodge No. 1 will show those Scots masons forming the first lodge in 1793 on White House grounds. The exhibit is supported by the Ancient and Accepted Scottish Rite of Freemasonry, Southern Jurisdiction, Valley of Washington, Orient of the District of Columbia, and by the Grand Lodge, F.A.A.M., of the District of Columbia.

The photo above shows the White House stone given to the Grand Lodge of Pennsylvania, which was on display in Philadelphia in 2007.

2010 is a unique celebration year for the Memorial Association. Together we are celebrating 100 years of dedication to Freemasonry’s greatest brother and honoring the countless brothers who built and sustain the Memorial. Equally important, 2010 marks a pledge of rededicated service, trusting in God that the century ahead will be filled with success and achievement. The Association shines as a bright light of Masonry as it fulfills its mission: “To inspire humanity through education to emulate and promote the virtues, character and vision of George Washington, the Man, the Mason and Father of our Country.”

‘A big year for Scottish Rite Masonic Museum and Library’

     
There’s a lot of good news coming out of Lexington for 2010. The museum and library on the campus of the headquarters of the Ancient Accepted Scottish Rite will add a few activities both on-site and off.

Before I get to those items, a change of name has been announced for this cultural center. The National Heritage Museum Library has been renamed the Scottish Rite Masonic Museum and Library. What’s in a name? A lot, in this case. When the museum was established for our country’s bicentennial celebration in 1976, Supreme Council made it clear that the facility was not to be a Masonic museum looking inward, but was a gift to the people of the United States dedicated to the preservation of our common history. Its name was the Museum of Our National Heritage, which during the past decade was abbreviated to the National Heritage Museum. It was announced last month that the new name was chosen to reconnect the museum to Freemasonry in the public eye. “As we are all proud of our fraternity, the name-change better reflects who we are to the public, and puts the names ‘Masonic’ and ‘Scottish Rite’ in the forefront,” says the announcement from Supreme Council. Now flanking its front doors are the Square and Compasses, and the Double Headed Eagle.

I like it. I do not know if this is another aspect of the Sovereign Grand Commander’s stated preference to see the Scottish Rite reorient its focus from doing nice, expensive things for utter strangers (when we ought to be concentrating on helping our brethren in need), but this change appears to reflect that spirit, and I applaud it.

But about the new activities at the Scottish Rite Masonic Museum and Library in 2010 (and this might even be breaking news) (and I hope I don’t get in trouble for this):

The Museum and Library will hit the road, taking a program and related artifacts to the brethren around the jurisdiction. The plan is to travel into the field four times a year to Councils of Deliberation and/or Valleys. Arrangements will be made on a first come, first served basis, with the traveling to be divided as equally as possible between locations on the East Coast and in the interior.

Big Change No. 2 – and this is really exciting! 96 days and counting! – is the first of what hopefully will be biannual symposia that showcase Freemasonry in an academic light. (I mean, they’re in Lexington, Massachusetts. How many colleges and universities are there within a 30-minute drive?)

From the official announcement:

Friday, April 9

New Perspectives on American Freemasonry

This symposium seeks to present the newest research on American fraternal groups from the past through the present day. By 1900, more than 250 American fraternal groups existed, numbering 6 million members. The study of their activities and influence in the United States, past and present, offers the potential for new interpretations of American society and culture.

A keynote paper by Jessica Harland-Jacobs, Associate Professor of History at the University of Florida, and author of Builders of Empire: Freemasonry and British Imperialism, 1717-1927, will open the day. Titled “Worlds of Brothers,” Harland-Jacobs’ paper will survey and assess the scholarship on American fraternalism and Freemasonry. Drawing on examples from the 1700s, 1800s and 1900s, she will demonstrate that applying world history methodologies pays great dividends for our understanding of fraternalism as a historical phenomenon. Harland-Jacobs will conclude with some thoughts on how global perspectives can benefit contemporary American brotherhoods.

I received an unsolicited review copy of Harland-Jacobs’ book upon its publication in 2007, and I loved it. Its title put me off initially, because “imperialism” is an epithet in academia (and for some, maybe Freemasonry is also), but her book quickly revealed itself to be a just and true accounting of Masonic history, exhaustively researched, engagingly written, and actually laden with small facts that really grab the eyes of those who notice them. It’s not a love letter; it shows flaws and hypocrisies, but it is undeniably fair. Anyway, back to the press release:

Six scholars from the United States, Canada, and Britain will fill the day’s program:

Damien Amblard, doctoral student, the Graduate Center of the City University of New York, “French Counter-Enlightenment Intellectuals and American Anti-masonry: A Transatlantic Approach, 1789-1800” (NB: Mr. Amblard spoke at the second ICHF in Edinburgh.)

Hannah M. Lane, Assistant Professor, Mount Allison University, “Freemasonry and Identity in 19th-Century New Brunswick and Eastern Maine”

Nicholas Bell, Curator, Renwick Gallery of the Smithsonian American Art Museum, “An Ark of the New Republic”

David Bjelajac, Professor of Art History, George Washington University, “Freemasonry, Thomas Cole (1801-1848) and the Fraternal Ethos of American Art”

Ami Pflugrad-Jackisch, Assistant Professor of History, University of Michigan – Flint, “Brothers of a Vow: Secret Fraternal Orders in Antebellum Virginia”

Kristofer Allerfeldt, Exeter University, “Nationalism, Masons, Klansmen and Kansas in the 1920s”

The symposium is funded in part by the Supreme Council, 33°, NMJ-USA. Registration is $50 ($45 for museum members) and includes morning refreshments, lunch and a closing reception. To register, complete the Registration Form and fax to 781-861-9846 or mail to Claudia Roche, National Heritage Museum, 33 Marrett Road, Lexington, MA 02421. Registration deadline is March 24, 2010. For more information, contact Claudia Roche at croche@monh.org or 781-861-6559, x 4142.

And last, but not least (because it is underway now) is the installation of artist Peter Waddell’s 21 painting exhibition titled “The Initiated Eye: Secrets, Symbols, Freemasonry and the Architecture of Washington, DC.” It opened two weeks ago, and will run through January 9, 2011. That’s 2011.

Images courtesy of The Octagon Museum.

If the title sounds familiar, it’s because this exhibit premiered in Washington (it was commissioned by the Grand Lodge of the District of Columbia) in 2005, and since has traveled the country. Augmenting the 21 paintings are 40 artifacts from the Scottish Rite Masonic Museum. See all the paintings and read about them here.