‘Vernacular Universalism: Freemasonry in Haiti and Beyond’

     
Previous Magpie posts on Haiti have been getting a lot of traffic the past few weeks, so I went looking for reasons why—and found this:

The Abrazo Interno Gallery of The Clemente Soto Velez Cultural and Educational Center in Manhattan is the place to see the exhibit “Vernacular Universalism: Freemasonry in Haiti and Beyond” through June 23. There will be a panel discussion on Friday, June 22 at 6:30 p.m. From the publicity:

Courtesy The Clemente

In Haiti, during the colonial era, the Freemasons were one of the few European institutions that allowed black membership. Freemasonry still thrives in contemporary Haiti, and its visual world pervades the Haitian imaginary. The symbols that recur throughout this exhibition once tethered a web of ideas that stretched across the Atlantic, encrypting the most precious values of the Enlightenment.

Courtesy The Clemente

This exhibition aims to visualize the mesh of magic and reason; alchemy and science; trade and metaphysical exchange that has stretched into the 21st century. By focusing on Haiti, this exhibition sheds light on the relationship between colonized peoples and the Enlightenment. It suggests that for some, Freemasonry offered a path to becoming an agent of modernity, rather than its reviled “other.” This exhibition will be a timely and significant contribution to an understanding of Freemasonry through the lens of the Black Atlantic.

Courtesy The Clemente

This exhibition is compiled by Leah Gordon and transgresses the borders between fiction and non-fiction; reality and imagination and will feature original and commissioned works by Haitian, American, and European artists Yves Delva, Ernest Dominique, Marg Duston, Andre Eugene, Leah Gordon, Lazaros, Michel Lafleur, and Molej Zamour. The pairing of document and artifact mirrors the binaries between Magic and Modernity inherent in Haitian Freemasonry.

(The title is from a conversation about Haitian Freemasonry between Sibylle Fischer and Katherine Smith, and I thank them for their generosity in granting me permission to temporarily adopt it.)


The Clemente is located at 107 Suffolk Street, between Delancey and Rivington streets.